Climate change is the great existential reality of our time. How we approach this crisis will affect life on Earth for present and future generations. In spite of our collective ideals, irreversible damage to the environment is imminent and represents urgent local and global concern. Through artfully rendered photographs of an acutely endangered landscape, _Oceano: An Elegy for the Earth_ explores the deep paradox between the devout, powerful presence of nature and environmental loss and damage. Extending eighteen miles along Central Californias famed coastline and divided into both a natural preserve and a state vehicular recreation area, the Oceano Dune complex has long fascinated photographers such as Ansel Adams and Edward and Brett Weston. The ephemeral, ever-changing landscape here expresses a sublime order and reflects many correlations between land and the dynamics of human society. Using metaphors that inspire hope and explore impermanence and darkness contrasted with the purity of suffusing light, Ulrichs photographs have been likened to Mark Rothkos silence and solitude that express the resonance and subtle dimensions of consciousness. The coastal environment of the Oceano Dunes is tempered by multiple threats such as incessant motorized activity, the toxicity of surrounding industrial-scale agriculture, and some of the worst air quality in the nation. Thus, for the books sequence of images, the photographer employs the literary form of an elegy, an extended reflection and lamentation on Earth during the early twenty-first century. An elegy refers to a poetic reflection of sorrow and love, often for a transient, mortal entity. As Ulrich writes: Sorrow and love for Earth, indeed. No better articulation exists for my regard for our dying planet and common mother.
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Product Details
Dimensions: 302 x 241mm
Publication Date: 31 Mar 2023
Publisher: George F. Thompson
Publication City/Country: United States
Language: English
ISBN13: 9781938086922
About David Ulrich
David Ulrich is an active photographer and writer whose work has been published in numerous books and journals including Aperture MANOA Parabola and Sierra Club publications. Ulrichs photographs have been exhibited internationally in more than seventy-five one-person and group exhibitions in museums galleries and universities. He is currently a professor and co-director of Pacific New Media Foundation in Honolulu Hawaii. Previously he taught for Pacific New Media University of Hawaii Mnoa was Professor and Chair of the Art Department at Cornish College of the Arts in Seattle and for fifteen years served as Associate Professor and Chair of the Photography Department of the Art Institute of Boston (now Lesley University College of Art and Design). Ulrich is the author of The Mindful Photographer: Awake in the World with a Camera (Rocky Nook Press 2022) Zen Camera: Creative Awakening with a Daily Practice in Photography (Watson Guptill/Random House 2018) and The Widening Stream: The Seven Stages of Creativity (Atria Books/Beyond Words 2002) and the co-author of Through Our Eyes: A Photographic View of Hong Kong by its Youth (The Robert H. N. Ho Family Foundation 2006).