Race and Culture in New Orleans Stories: Kate Chopin, Grace King, Alice Dunbar-Nelson, and George Washington Cable | Agenda Bookshop Skip to content
Please note that books with a 10-20 working days delivery time may not arrive before Christmas.
Please note that books with a 10-20 working days delivery time may not arrive before Christmas.
A01=James Nagel
Age Group_Uncategorized
Age Group_Uncategorized
Author_James Nagel
automatic-update
Category1=Non-Fiction
Category=DSK
Category=JFC
COP=United States
Delivery_Delivery within 10-20 working days
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Race and Culture in New Orleans Stories: Kate Chopin, Grace King, Alice Dunbar-Nelson, and George Washington Cable

English

By (author): James Nagel

Race and Culture in New Orleans Stories posits that the Crescent City and the surrounding Louisiana bayous were a logical setting for the literary exploration of crucial social problems in America.

Race and Culture in New Orleans Stories is a study of four volumes of interrelated short stories set in New Orleans and the surrounding Louisiana bayous: Kate Chopins Bayou Folk; George Washington Cables Old Creole Days; Grace Kings Balcony Stories; and Alice Dunbar-Nelsons The Goodness of St. Rocque and Other Stories. James Nagel argues that the conflicts and themes in these stories cannot be understood without a knowledge of the unique historical context of the founding of Louisiana, its four decades of rule by the Spanish, the Louisiana Purchase and the resulting cultural transformations across the region, Napoleonic law, the Code Noir, the plaçage tradition, the immigration of various ethnic and natural groups into the city, and the effects of the Civil War and Reconstruction. All of these historical factors energise and enrich the fiction of this important region.

The literary context of these volumes is also central to understanding their place in literary history. They are short-story cyclescollections of short fiction that contain unifying settings, recurring characters or character types, and central themes and motifs. They are also examples of the local colour tradition in fiction, a movement that has been much misunderstood. Nagel maintains that regional literature was meant to be the highest form of American writing, not the lowest, and its objective was to capture the locations, folkways, values, dialects, conflicts, and ways of life in the various regions of the country in order to show that the lives of common citizens were sufficiently important to be the subject of serious literature.

Finally, Nagel shows that New Orleans provided a profoundly rich and complex setting for the literary exploration of some of the most crucial social problems in America, including racial stratification, social caste, economic exploitation, and gender roles, all of which were undergoing rapid transformation at the end of the nineteenth century and the beginning of the twentieth. See more
Current price €43.19
Original price €47.99
Save 10%
A01=James NagelAge Group_UncategorizedAuthor_James Nagelautomatic-updateCategory1=Non-FictionCategory=DSKCategory=JFCCOP=United StatesDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€20 to €50PS=Activesoftlaunch
Delivery/Collection within 10-20 working days
Product Details
  • Weight: 508g
  • Publication Date: 28 Feb 2014
  • Publisher: The University of Alabama Press
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9780817313388

About James Nagel

James Nagel is the J. O. Eidson Distinguished Professor Emeritus at the University of Georgia USA and a Visiting Scholar at Dartmouth College USA. He is the president of the Society for the Study of the American Short Story and a former president of the international Ernest Hemingway Society. Among his twenty-three books are Stephen Crane and Literary Impressionism Hemingway in Love and War (which was made into a Hollywood film starring Sandra Bullock) The Contemporary American Short-Story Cycle and Blackwells A Companion to the American Short Story edited with Alfred Bendixen.

We use cookies to ensure that we give you the best experience on our website. If you continue we'll assume that you are understand this. Learn more
Accept