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A01=Guillaume Apollinaire
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Seated Woman

English

By (author): Guillaume Apollinaire

Translated by: Timothy Mathews

Guillaume Apollinaire (1880-1918) was at the forefront of the aesthetic revolution that is the European Avant-Garde of the early twentieth century. In the accompanying memoir to his English translation of 'Seated Woman', Timothy Mathews gives a wide-ranging account of the ways Apollinaire interacted in his life and art with Symbolism, Cubism, Futurism and Orphism, and the subjective as well as social experiences involved in urban modernism. In its scattered but controlled composition and the multiplicity of its tones, Seated Woman, published posthumously in 1920, is a powerful counterpoint to the multi-faceted poetry for which Apollinaire is often better known. In playing the music of violence as well as the generosity that characterised the Great War, it is a story of its time, for our time and any time. Apollinaire's writing as a whole is a living testament to the extraordinary creative energy he both witnessed and produced, but also his understanding of its vulnerability to exploitation and decay. This book in turn seeks to honour that understanding, its persistent calls to the imagination, and the wit, vision and honesty that await readers of Apollinaire's unique voice. The book includes a memoir by Timothy Mathews in which he discusses 'Seated Woman' and his translation, as well as Apollinaires aesthetic generally and its crucial part in the development of European modernism. The book contains further texts in which Timothy Mathews responds to Apollinaires writing through translation, as well as critically and creatively. A remarkable testimony to the on-the-go-ness' of Apollinaire. Having plunged into his poems for years untold, I discovered this Seated Woman (My God, she is that and more) through Timothy Mathewss rendering, I wont just say 'translation' this is a kind of miracle of wit, facetious wording, and over-the-top, beyond the pale Beingness. Think upon this, Picasso! Mary Ann Caws, Distinguished Professor Emerita of Comparative Literature, English, and French at the Graduate School of the City University of New York. See more
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A01=Guillaume ApollinaireAge Group_UncategorizedAuthor_Guillaume Apollinaireautomatic-updateB01=Timothy MathewsB06=Timothy MathewsCategory1=FictionCategory=FCCategory=FYTCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=In stockPrice_€10 to €20PS=Activesoftlaunch
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Product Details
  • Weight: 263g
  • Dimensions: 152 x 229mm
  • Publication Date: 17 Mar 2023
  • Publisher: Shearsman Books
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781848618381

About Guillaume Apollinaire

Guillaume Apollinaire (1880-1918) born Wilhelm Albert Wlodzimierz Apolinary Kostrowicki in Rome was a French poet writer and art critic of Polish descent. He is regarded one of the leading poets of the early 20th century as well as the earliest defender / promoter of Cubism and as a forerunner of Surrealism. He came up with the term Cubism in 1911 to describe the latest art movement and also Surrealism in 1917 to describe the works of Erik Satie. Apollinaire wrote one of the earliest Surrealist literary works the play 'The Breasts of Tiresias' (1917). Two years after being wounded in World War I Apollinaire died during the Spanish flu pandemic of 1918. Timothy Mathews is Emeritus Professor of French and Comparative Criticism at University College London. In his writing and translating he explores what relating to art can tell us about relating to people. In addition to Guillaume Apollinaire he has written widely about twentieth and twenty-first century French Literature comparative literature and comparative approaches. He is co-translator with Luce Irigaray of her Everyday Prayers (2004) and with Delphine Grass of Michel Houellebecq The Art of Struggle (2010). His translations of selected pages from Roland Barthes Fragments d'un discours amoureux appear in a special issue of CounterText (2023). His other most recent books are Alberto Giacometti the Art of Relation (2014) and There and Not Here: Chronicles of Art and Loss (2022). He is a Fellow of the Royal Society of Arts a member of the Academy of Europe and Officier dans l'Ordre des Palmes Academiques.

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