This urgent and provocative study explores contemporary Shakespeare performance to bring a sense of theatre as technology into view. Rather than merely using technologies, the theatre's distinctively intermedial character is essential to its complex technicity; the changing function of gesture and costume, of written documents in the making of performance, of light and sound, and of the interplay of live and recorded acting complicate the sense of theatre as a medium. In a series of probing discussions, Worthen interrogates the interaction of live and mediated acting onstage, the impact of written media from the handwritten scroll to the small-screen app in acting as a techn, the work of Original Practices as an interactive modern theatre technology, the economies of theatrical immersion, and the consequences of an emerging algorithmic theatre, providing a richly theoretical reading of the stakes of theatre as an always-emerging technology.
See more
Current price
€93.59
Original price
€103.99
Save 10%
Delivery/Collection within 10-20 working days
Product Details
Weight: 580g
Dimensions: 159 x 235mm
Publication Date: 23 Apr 2020
Publisher: Cambridge University Press
Publication City/Country: United Kingdom
Language: English
ISBN13: 9781108498135
About W. B. Worthen
W. B. Worthen is Alice Brady Pels Professor in the Arts and Chair of the Theatre Department at Barnard College. He is also co-chair of the Ph.D. Program in Theatre at Columbia University New York where he is appointed as Professor of English and Comparative Literature. He is the author of many books including The Idea of the Actor (1984) Modern Drama and the Rhetoric of Theater (1992) Shakespeare and the Authority of Performance (Cambridge 1997) Shakespeare and the Force of Modern Performance (Cambridge 2003) Print and the Poetics of Modern Drama (Cambridge 2006) Drama: Between Poetry and Performance (2010) Shakespeare Performance Studies (Cambridge 2014). He is the General Editor of the Elements in Shakespeare Performance book series.