Sofia Coppola and Generation X (So Far): Anxious and Effervescent

While the work of Sofia Coppola has often been dismissed as being stereotypically feminine and placing more focus on spectacle over substance, Sofia Coppola and Generation X (So Far): Anxious and Effervescent draws attention to common characteristics present in Coppolas films to present an authorial signature and aesthetic that are both familiar yet evocative of Generation Xs perception in the public consciousness. In analyzing Coppolas films from The Virgin Suicides (1999) to Priscilla (2023), this book argues that her filmography acts as a reflection of her generation's evolving mindset and self-image from its prominence during the late 1980s to its current sentiment of discomfort with its fading influence.