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The Economics of Music

English

By (author): Professor Peter Tschmuck

The music industry is one of the most dynamic and fascinating business sectors. Its business model has had to evolve and adapt to continually changing technologies that impact at every level from distribution to artist management. Its latest challenge has been the closure of live music venues during the Covid-19 pandemic.

The second edition of this much used introduction to the economic workings of the music business has been updated to include analysis of the impact of the pandemic as well as new trends in the industry, such as the increasing dominance of tech companies and big data and the growing importance of collective management organizations as market players, which has impacted on new business contracts. At a time when live performance outstrips music sales as the primary source of income for todays musicians, this new edition also examines how different stakeholder positions have shifted.

The book remains a rigorous presentation of the industrys business model, the core sectors of publishing, recording and live music, and the complex myriad of licensing and copyright arrangements that underpin the industry. The revenue streams of recording companies are analysed alongside the income stream of artists to show how changing formats and distribution platforms impact both industry profit margins and artists earnings.

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Product Details
  • Dimensions: 148 x 210mm
  • Publication Date: 08 Jul 2021
  • Publisher: Agenda Publishing
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781788214261

About Professor Peter Tschmuck

Peter Tschmuck is Professor for Cultural Institutions Studies at the University of Music and Performing Arts Vienna. He also teaches courses at the University of Economics and Business Administration in Vienna at the Danube-University in Krems the University of Music Drama and Media in Hanover and at the Zeneipari Hivatal in Budapest. His books include Creativity and Innovation in the Music Industry (2nd edn 2012) and Music Business and the Experience Economy (2013). He is Editor of the International Journal of Music Business Research.

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