The Methuen Drama Book of Post-Black Plays: Bulrusher; Good Goods; The Shipment; Satellites; And Jesus Moonwalks the Mississippi; Antebellum; In the Continuum; Black Diamond | Agenda Bookshop Skip to content
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Please note that books with a 10-20 working days delivery time may not arrive before Christmas.
A01=Christina Anderson
A01=Danai Gurira
A01=Diana Son
A01=Eisa Davis
A01=J. Nicole Brooks
A01=Marcus Gardley
A01=Nikkole Salter
A01=Robert O'Hara
Age Group_Uncategorized
Age Group_Uncategorized
Author_Christina Anderson
Author_Danai Gurira
Author_Diana Son
Author_Eisa Davis
Author_J. Nicole Brooks
Author_Marcus Gardley
Author_Nikkole Salter
Author_Robert O'Hara
automatic-update
B01=Jr.
B01=Professor Douglas A. Jones
B01=Professor Douglas A. Jones Jr.
B01=Professor Harry J. Elam
B01=Professor Harry J. Elam Jr.
Category1=Non-Fiction
Category=DD
Category=DQ
Category=JFSL3
COP=United Kingdom
Delivery_Delivery within 10-20 working days
Language_English
PA=Available
Price_€20 to €50
PS=Active
SN=Play Anthologies
softlaunch

The Methuen Drama Book of Post-Black Plays: Bulrusher; Good Goods; The Shipment; Satellites; And Jesus Moonwalks the Mississippi; Antebellum; In the Continuum; Black Diamond

'Post-black' refers to an emerging trend within black arts to find new and multiple expressions of blackness, unburdened by the social and cultural expectations of blackness of the past and moving beyond the conventional binary of black and white. Reflecting this multiplicity of perspectives, the plays in this collection explode the traditional ways of representing black families on the American stage, and create new means to consider the interplay of race, with questions of class, gender, and sexuality. They engage and critique current definitions of black and African-American identity, as well as previous limitations placed on what constitutes blackness and black theatre. Written by the emerging stars of American theatre such as Eisa Davis and Marcus Gardley, the plays explore themes as varied as family and individuality, alienation and gentrification, and reconciliation and belonging. They demonstrate a wide-range of formal and structural innovations for the American theatre, and reflect the important ways in which contemporary playwrights are expanding the American dramatic canon with new and diverse means of representation. Edited by two leading US scholars in black drama, Harry J. Elam Jr (Stanford) and Douglas A. Jones Jr (Princeton), this cutting edge anthology gathers together some of the most exciting new American plays, selected by a rigorous academic backbone and explored in depth by supporting critical material. See more
Current price €25.65
Original price €28.50
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A01=Christina AndersonA01=Danai GuriraA01=Diana SonA01=Eisa DavisA01=J. Nicole BrooksA01=Marcus GardleyA01=Nikkole SalterA01=Robert O'HaraAge Group_UncategorizedAuthor_Christina AndersonAuthor_Danai GuriraAuthor_Diana SonAuthor_Eisa DavisAuthor_J. Nicole BrooksAuthor_Marcus GardleyAuthor_Nikkole SalterAuthor_Robert O'Haraautomatic-updateB01=Jr.B01=Professor Douglas A. JonesB01=Professor Douglas A. Jones Jr.B01=Professor Harry J. ElamB01=Professor Harry J. Elam Jr.Category1=Non-FictionCategory=DDCategory=DQCategory=JFSL3COP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€20 to €50PS=ActiveSN=Play Anthologiessoftlaunch
Delivery/Collection within 10-20 working days
Product Details
  • Weight: 615g
  • Dimensions: 129 x 198mm
  • Publication Date: 06 Dec 2012
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781408173824

About Christina AndersonDanai GuriraDiana SonEisa DavisJ. Nicole BrooksMarcus GardleyNikkole SalterRobert O'Hara

Harry J. Elam is the Olive H. Palmer Professor in the Humanities and the Freeman-Thornton Vice Provost for Undergraduate Education at Stanford University. He is author of Taking it to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka; The Past as Present in the Drama of August Wilson winner of the Errol Hill Award; and co-editor of African American Performance and Theater History: A Critical Reader; Colored Contradictions: An Anthology of Contemporary African American Drama; The Fire This Time: African American Plays for the New Millennium and Black Cultural Traffic: Crossroads in Performance and Popular Culture. His articles have appeared in American Drama Modern Drama Theatre Journal Text and Performance Quarterly as well as journals in Israel Belgium Poland and Taiwan and also in several critical anthologies. Douglas A. Jones Jr. is Cotsen Fellow in the Princeton Society of Fellows at Princeton University where he teaches in the Department of English. He has published several articles and book chapters that span a wide array of issues in (African) American cultural and literary history race and performance and American dramatic literature. His first book The Captive Stage: Black Exception Performance and the Proslavery Imagination of the Anetbellum North is forthcoming from University of Michigan Press. In fall of 2013 he will join the English faculty at Rutgers University.

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