How did William Blake achieve classic status? What aspects of his art and personality attracted and repelled critics? How was the story of his afterlife coloured by debates and developments in the British art world? Moving between visual and literary analysis, Visions of Blake: William Blake in the Art World 1830-1930 considers the ways in which different audiences and communities dealt with the issue of describing and evaluating Blakes images and designs. It ranges widely from the writings of Gilchrist, the Rossetti brothers, Ruskin, Swinburne, Symons, Yeats, Joyce, Chesterton and Fry, through to works by Ford Madox Brown, G. F. Watts, Dante Gabriel Rossetti, Walter Crane, C. R. Ashbee, Aubrey Beardsley, E. J. Ellis and J. T. Nettleship. Each chapter of this groundbreaking study deals with its own topic, but between them they build up a multifaceted picture of how a wide range of Victorian and Edwardian commentators connected Blakes interest in pictorial composition, visual attention and ideas of cultural authority with broader contemporary matters and concerns. Visions of Blake is intended for all students and academics interested in Blake, Romanticism, Victorian culture, cultural politics and modern art.
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Product Details
Dimensions: 163 x 239mm
Publication Date: 23 Feb 2012
Publisher: Liverpool University Press
Publication City/Country: United Kingdom
Language: English
ISBN13: 9781846311116
About Colin Trodd
Colin Trodd is Lecturer School of Arts Cultures and Histories University of Manchester. Selected previous publications: Victorian Culture and the Idea of the Grotesque (Ashgate 1999: joint editor) Art and the Academy in the Nineteenth Century (MUP 2000: joint editor) Governing Cultures (Ashgate 2001: joint editor) Representations of G.F. Watts (Ashgate 2004: joint editor) Blakes Shadow (Whitworth Art Gallery 2008: main author) Professional accomplishments and any other biographical information which might be relevant to the promotion of the book: Curator of Blakes Shadow an exhibition of reactions to the work of Blake by Victorian and modern British artists (Whitworth Art Gallery JanApril 2008; National University South Korea Dec. 2008-April 2009). Published on Blake (Blake Modernity and Popular Culture S. Clark and J. Whittaker eds. Palgrave 2007) and delivered papers at Blake Conferences. Received an award from the AHRC to undertake research related to the book.