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A01=Volker Manuth
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Rembrandt. Sämtliche Gemälde

German

By (author): Volker Manuth

The Dutch Golden Age of painting spawned some of historys greatest artists and artisans, but few can boast the genius and legacy of Rembrandt Harmensz. van Rijn (16061669). Despite never leaving his native Netherlands, Rembrandt projected his oeuvre past the boundaries of his own experience, producing some of arts most diverse and impactful works across portraiture, biblical, allegorical, landscape, and genre scenes. In all their forms, Rembrandts paintings are built of intricaciesthe totality of each subtle facial wrinkle, gaze, or figure amounting to an emotional force that stands unmatched among his contemporaries and artistic progeny alike.

Each work is imbued with feeling. Biblical scenes, like Bathsheba at her Bath, become vehicles for meditations on human longing, probing depths beyond that which is canonized in scripture or depicted in other representations. His portraits, be them of wealthy patrons or tradesmen, communicate the essence of an individual through fine demarcations, their faces bathed in an ethereal light against darkened earthtones. Perhaps most striking, his series of self-portraits is a triumph of the medium; beginning in his youth and spanning until a year prior to his death, Rembrandts self portraiture is an intimate glimpse into his lifelong process of self-reflection.

This monograph compiles all 330 of Rembrandts paintings in stunning reproductions. From Belshazzars Feast to The Anatomy Lesson of Dr. Nicolaes Tulp, we discover Rembrandts painted oeuvre like never before.

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Current price €150.87
Original price €163.99
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Product Details
  • Weight: 7134g
  • Dimensions: 290 x 395mm
  • Publication Date: 23 Jul 2019
  • Publisher: Taschen GmbH
  • Publication City/Country: Germany
  • Language: German
  • ISBN13: 9783836526319

About Volker Manuth

Volker Manuth studied art history philosophy and classical archaeology in Kiel Bonn and Berlin. In 1987 he completed his PhD at the Freie Universität Berlin with a thesis on the iconography of Rembrandts Old Testament subjects. From 1988 to 1995 he was an assistant and associate Professor at the FU Berlin and from 1995 to 2003 he held the A. Bader Chair of Northern Renaissance and Baroque Art at Queens University in Kingston Ontario (Canada). Since 2003 he has been Professor of Art History at Radboud University in Nijmegen the Netherlands.

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