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George Condo: Painting Reconfigured

English

By (author): Simon Baker

The definitive monograph on the iconoclastic painter George Condo.

With his arresting, unsettling style, George Condo emerged out of the dynamism of the New York art scene in the early 1980s, and he has been restlessly painting, drawing and sculpting - bringing forms into the world in one way or another - ever since. With his 'fake' Old Masters, reconfigured Manets, impossibly intricate paintings that seem abstract only from a distance, fractured and multifaceted 'psychologically Cubist' portraits, and the orgiastic misdemeanours of a host of butlers, bankers and priests, Condo has invented, mastered and expanded not just one painterly language but an entire lexicon.

Working closely with Condo, Simon Baker has combined biographical, chronological and thematic approaches to survey the artist's work and career to date. An introductory essay on Condo's contradictory nature and a chapter exploring his phenomenal early career are followed by three thematic chapters that look at the years from 1984 to the present, tracing Condo's systematic reconstruction of the techniques of painting, exploring his relationship to the concept of abstraction, and probing the darker side of his psychological iconography in drawing, painting, sculpture and writing.

George Condo is the definitive monograph about a unique artist that will appeal to artists, art students and those with a general interest in art. See more
Current price €41.39
Original price €44.99
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A01=Simon BakerAge Group_UncategorizedAuthor_Simon Bakerautomatic-updateCategory1=Non-FictionCategory=ACXJCategory=AFCCategory=AGBCOP=United KingdomDelivery_Pre-orderLanguage_EnglishPA=Temporarily unavailablePrice_€20 to €50PS=Activesoftlaunch

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Product Details
  • Weight: 1980g
  • Dimensions: 260 x 310mm
  • Publication Date: 10 Mar 2022
  • Publisher: Thames & Hudson Ltd
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9780500296493

About Simon Baker

Simon Baker is Director of Maison Européenne de la Photographie Paris (MEP). He was formerly Senior Curator Photography and International Art Tate. Prior to becoming Tates first curator of photography he was Associate Professor of Art History at the University of Nottingham. He has written widely on surrealism photography and contemporary art.

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