River Crossings: Contemporary Art Comes Home

About

Jason Rosenfeld has been a member of the faculty at Marymount since fall 2003. Dr. Rosenfeld received his B.A. from Duke University and his M.A. and Ph.D. from the Institute of Fine Arts New York University with a dissertation titled New Languages of Nature in Victorian England: The Pre-Raphaelite Landscape Natural History and Modern Architecture in the 1850s. He has previously taught at Assumption College in Worcester Massachusetts New York University and Queens College New York. Academic interests include British art specifically Victorian the art and architecture of New York City modern architecture and contemporary art. He has published many articles and reviews on British art and architecture and contemporary art and has been a frequent reviewer for Art in America and ARTNews. He was a co-curator of the exhibition The Post-Pre-Raphaelite Print at the Wallach Art Gallery Columbia University New York in 1995 and contributed to the Pre-Raphaelite and Other Masters: The Andrew Lloyd Webber Collection exhibition at the Royal Academy of Arts London in 2003. He also contributed an essay to the catalogue of Marcel Dzama's exhibtion at the David Zwirner Gallery New York in 2005. Recent research interests have revolved around the life and career of the Victorian painter Sir John Everett Millais (1829-1896) and his monograph on that artist for Phaidon Press Ltd. will be published in 2012. In addition he co-curated the major exhibition on Millais at Tate Britain London the National Gallery of British Art with Alison Smith Senior Curator of Paintings which traveled to the Van Gogh Museum in Amsterdam followed by venues in Fukuoka and Tokyo Japan. The exhibition was seen by in excess of 660000 visitors. He is also co-curator of the exhibition Pre-Raphaelites: Victorian Avant-Garde at Tate Britain in September 2012 the National Gallery in Washington D.C. in February 2013 (as Pre-Raphaelites: Victorian Art and Design) the Pushkin Museum Moscow in June 2013 and the Mori Art Gallery in Tokyo in January 2014. Dr. Rosenfeld has been named Distinguished Chair at Marymount Manhattan College. In addition he is the lead contributor to a monograph on the contemporary American artist Stephen Hannock published by Hudson Hills Press in the summer of 2009. And he has curated and written the catalogue for the exhibition Stephen Hannock Recent Paintings: Vistas with Text held at Marlborough Gallery New York 25 April - 2 June 2012. In addition to an impressive plate section of more than 60 works with brief artist biographies and descriptive narratives for the individual works this comprehensive presentation features noteworthy exceptional contributions. Stephen Hannock's preface details the development of this remarkable exhibition while co-curator Jason Rosenfeld reveals in his essay the exhibition's importance relative to historical perception as he considers Cole's and Church's support of contemporary art in their time. Maurice Berger cultural historian considers the realities of race and gender from the nineteenth-century Hudson River Valley to the present. Marvin Heiferman curator and writer examines photography in the exhibition and its connections to Church's work and his use of the medium. Peter Aaron award-winning architectural and landscape photographer generously provided the stunning installation exterior and landscape photographs a gorgeous complement to this outstanding catalog.