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The Boy from Kyiv: Alexei Ratmansky''s Life in Ballet

English

By (author): Marina Harss

Alexei Ratmansky is the most sought-after man in ballet (The New Yorker). A former artistic director at the Bolshoi Ballet and the resident choreographer at American Ballet Theatre, and now the incoming artist in residence at New York City Ballet, Ratmansky has created magnificent works for the worlds most revered ballet companies, breathing exquisite new life into this age-old art. In The Boy from Kyiv, the first biography of this major artist, the celebrated dance critic Marina Harss recounts the exceptional life that has made Ratmansky the most respected choreographer at work today. An artist of singular vision, he is renowned above all for radically revitalising the craft of storytelling in ballet, and for daringly restaging great nineteenth-century ballets lost to time. And of late, the Ukrainian-Russian choreographer has found himself in an unexpected new role as perhaps the most vocal critic of Vladimir Putin in the quintessentially Russian ballet world. Ratmansky has vowed never to work there again so long as Putin remains in power, and much of his recent work has championed the cause of the Ukrainian people. Harss has spent the better part of two decades following Ratmanskys illustrious and still ascending career. With The Boy from Kyiv, she delivers a riveting, deeply personal account of this miraculous rise to the peaks of artistic excellence. See more
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A01=Marina HarssAge Group_UncategorizedAuthor_Marina Harssautomatic-updateCategory1=Non-FictionCategory=ASDLCOP=United StatesDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€20 to €50PS=Activesoftlaunch
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Product Details
  • Weight: 708g
  • Dimensions: 161 x 237mm
  • Publication Date: 20 Nov 2023
  • Publisher: Farrar Straus & Giroux Inc
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9780374102616

About Marina Harss

Marina Harss is a dance writer journalist and critic based in New York City. Her work has appeared in The New York Times The New Yorker The Nation The Guardian The Boston Globe The Threepenny Review Dance Magazine and Fjord Review.

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