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Pepón Osorio

English

By (author): Jennifer A. González

Pepón Osorio is an internationally recognized artist whose richly detailed installations challenge the stereotypes and misconceptions that shape our view of social institutions and human relationships. Osorios colorful, often riotous installations are constructed from found objects and things that he customizes or creates. With a wry sense of humor, he probes sober topics, including prison life, domestic violence, AIDS, and poverty.

Osorios collaborative site-based works develop from his immersion into a communityresidents of urban ethnic neighborhoods, employees who provide social services, children in foster careand the discussions that result. As he addresses difficult themes such as race and gender, death and survival, and alienation and belonging, Osorio asks his audience to reconsider their assumptions and biases. In this book, Jennifer A. González shows that although Osorio draws on his Puerto Rican background and the immigrant experience for inspiration, his artistic statements bridge geographical barriers and class divides.

Osorios installations have been exhibited internationally, and his work is represented at the Smithsonian American Art Museum in Washington, D.C., the Museo de Arte de Puerto Rico in San Juan, the Whitney Museum of American Art in New York, and other major museums. He has received numerous awards, including a MacArthur Foundation Fellowship in 1999.

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A01=Jennifer A. GonzálezAge Group_UncategorizedAuthor_Jennifer A. Gonzálezautomatic-updateCategory1=Non-FictionCategory=ABCategory=ACBSCategory=AGBCategory=HBJKCOP=United StatesDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€20 to €50PS=Activesoftlaunch
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Product Details
  • Dimensions: 165 x 165mm
  • Publication Date: 01 Aug 2013
  • Publisher: UCLA Chicano Studies Research Center Press
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9780895511270

About Jennifer A. González

Jennifer A. González teaches in the Department of History of Art and Visual Culture at the University of California Santa Cruz and at the Whitney Museum Independent Study Program New York. She has written for numerous periodicals including Aztlán Frieze Bomb Camera Obscura and Art Journal. Her book Subject to Display: Reframing Race in Contemporary Installation Art was a finalist for the Charles Rufus Morey Book Award.

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