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Critical Race Theory and Copyright in American Dance: Whiteness as Status Property

English

By (author): Caroline Joan S. Picart

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham. See more
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Original price €102.99
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A01=Caroline Joan S. PicartAge Group_UncategorizedAuthor_Caroline Joan S. Picartautomatic-updateCategory1=Non-FictionCategory=ABCategory=ASDCategory=JFSL1Category=JPCategory=LNCBCategory=LNJCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€50 to €100PS=Activesoftlaunch
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Product Details
  • Dimensions: 140 x 216mm
  • Publication Date: 07 Nov 2013
  • Publisher: Palgrave Macmillan
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781137321961

About Caroline Joan S. Picart

Caroline Joan (Kay) S. Picart formerly a tenured associate professor of English and Humanities at Florida State University is a joint Juris Doctor-MA Candidate (WST) at the University of Florida Levin College of Law and an adjunct professor of Humanities at Santa Fe College.

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