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Flickers of Desire: Movie Stars of the 1910s

English

Today, we are so accustomed to consuming the amplified lives of film stars that the origins of the phenomenon may seem inevitable in retrospect. But the conjunction of the terms movie and star was inconceivable prior to the 1910s. Flickers of Desire explores the emergence of this mass cultural phenomenon, asking how and why a cinema that did not even run screen credits developed so quickly into a venue in which performers became the American film industry's most lucrative mode of product individuation. Contributors chart the rise of American cinema's first galaxy of stars through a variety of archival sources--newspaper columns, popular journals, fan magazines, cartoons, dolls, postcards, scrapbooks, personal letters, limericks, and dances. The iconic status of Charlie Chaplin's little tramp, Mary Pickford's golden curls, Pearl White's daring stunts, or Sessue Hayakawa's expressionless mask reflect the wild diversity of a public's desired ideals, while Theda Bara's seductive turn as the embodiment of feminine evil, George Beban's performance as a sympathetic Italian immigrant, or G. M. Anderson's creation of the heroic cowboy/outlaw character transformed the fantasies that shaped American filmmaking and its vital role in society. See more
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20-50A32=Anne MoreyA32=Christine GledhillA32=Daisuke MiyaoA32=Giorgio BertelliniA32=Kristen GrantA32=Mark CooperA32=Mark Garrett CooperA32=Professor Anne MoreyA32=Richard AbelA32=Rob KingA32=Scott CurtisAge Group_Uncategorizedautomatic-updateB01=Jennifer M. BeanCategory1=Non-FictionCategory=APBCOP=United StatesDelivery_Delivery within 10-20 working daysLanguage_EnglishNJPA=AvailablePrice_€20 to €50PS=Activesoftlaunch
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Product Details
  • Weight: 513g
  • Dimensions: 156 x 235mm
  • Publication Date: 12 Aug 2011
  • Publisher: Rutgers University Press
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9780813550152

About

Jennifer M. Bean is the director of the cinema studies program and an associate professor of comparative literature at the University of Washington. She is coeditor of A Feminist Reader in Early Cinema and a recipient of the prestigious Katherine Singer Kovacs Essay Award from the Society for Cinema and Media Studies.

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