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A01=Gretchen Ernster Henderson
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Life in the Tar Seeps: A Spiraling Ecology from a Dying Sea

English

By (author): Gretchen Ernster Henderson

At Great Salt Lake, near Robert Smithsons iconic earthwork Spiral Jetty, a motley crew of scientists walks the mudflats to study fossils in the making. This reputedly dead sea is home to tar seeps, pools of raw oil (nicknamed death traps) that act as a preservative, encasing organisms as they were in life.

In this spare landscape, an intricate web of life unfurls. Halophilessalt-hungry microorganismstint the brackish water pink and orange; crystals of gypsum stud the ground, glistening underfoot; and pelicans and other migratory birds stop for a crucial rest. Barn owls and seagulls flirt with their prey around the seeping constellations, sometimes falling prey to the oil themselves. Gretchen Henderson came to the tar seeps, a kind of natural asphalt, after recovering from being hit by a car as she walked in a crosswalka manmade asphalt. Like the spiraling artwork that made Great Salt Lakes north shore famous, Hendersons associations of life and death, degeneration and regeneration, and injury and healing coalesced. As she reexamined pressing issues that this delicate area revealed about the climate crisis, her sense of ecology spiraled into other ways of perceiving the lakes entangled lives.

How do we move beyond narrow concepts of wounded and healed, the beautiful and the ugly, to care for ecosystems that evolve over time? How do we confront our vulnerability to recognize kindred dynamics in our living planet? Through shifting lake levels, bird migrations, microbial studies, environmental arts, and cultural histories shaped by indigenous knowledges and colonial legacies, Life in the Tar Seeps contemplates the ways that others have understood this body of water, enlivening more than this region alone. As Henderson witnesses scientists, arts curators, land managers, and students working collaboratively to steward a challenging place, she grows to see the lake not as dead but as a watershed for shifting perceptions of any overlooked place, offering a meditation on environmental healing across the planet.

Henderson interweaves her journey with her own vivid photographs of tar seeps and pelican death assemblages, historic maps and contemporary art, as a wayfinding guide for exploring places of our own. See more
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Product Details
  • Dimensions: 152 x 203mm
  • Publication Date: 08 Jun 2023
  • Publisher: Trinity University PressU.S.
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9781595342737

About Gretchen Ernster Henderson

Gretchen Ernster Henderson writes across environmental arts cultural histories and integrative sciences. Her recent essays have appeared in Ecotone Ploughshares and the Kenyon Review with co-authored articles in Nature Sustainability and Conservation Biology. Her four previous books include Ugliness: A Cultural History and Galerie de Difformité cross-pollinating genres and arts and translated across five languages. She is a senior lecturer at the University of Texas at Austin and has also taught at Georgetown University MIT and the University of Utah where she was the 201819 Annie Clark Tanner Fellow in Environmental Humanities. Born and raised in California she is the 2023 Aldo and Estella Leopold Writer in Residence in New Mexico and lives in Arizona.

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