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A32=Coralie Malissard
A32=Frode Sandvik
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B01=Barnaby Wright
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Edvard Munch: Masterpieces from Bergen

English

This important publication accompanies a major exhibition at The Courtauld Gallery, London, of paintings by Edvard Munch, one of the worlds greatest modern artists. The exhibition and catalogue showcase 18 major works from the collection of KODE Art Museums in Bergen. The works span the most significant part of Munchs artistic development and have never before been shown as a group outside of Scandinavia. KODE houses one of the most important collections of paintings by Edvard Munch (18631944) in the world. The collection was assembled at the beginning of the 20th century by the Norwegian industrialist, mill owner and philanthropist Rasmus Meyer (18581916), who was one of the first significant early collectors of Munchs work. Meyer knew Munch personally and was astute in acquiring major canvases by the artist that chart his artistic development.   Edvard Munch: Masterpieces from Bergen explores this group of remarkable works in detail and considers the important role of Rasmus Meyer as a collector. The exhibition and publication include seminal paintings from Munchs early realist phase of the 1880s, such as Morning (1884), which was made when the artist was just twenty years old, and Summer Night (1889), a pivotal work that shows the artists move towards the expressive and psychologically charged work for which he became famous. These paintings launched Munchs career and set the stage for his renowned, highly expressive paintings of the 1890s when his compositions became powerful projections of his emotions and imaginative states. Such works are a major feature of the exhibition that includes remarkable canvases from Munchs famous Frieze of Life series, such as Evening on Karl Johan (1892), Melancholy (1894-96) and At the Death Bed (1895). Through his Frieze of Life works, Munch intended to address profound themes of human existence, from love to death. The artist used his own experiences as source material to make visceral depictions of the human psyche, which he hoped would help others understand their own life. Munchs powerful use of colour and form to convey his subjects marked him out as one of the most radical painters at the turn of the 20th century.   This fully illustrated publication includes a catalogue of the works, with contributions by leading experts in their fi eld from KODE and The Courtauld. See more
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A32=Caroline LevittA32=Coralie MalissardA32=Frode SandvikA32=Line DaatlandAge Group_Uncategorizedautomatic-updateB01=Barnaby WrightCategory1=Non-FictionCategory=ACXD1Category=AGBCategory=AGCCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€20 to €50PS=Activesoftlaunch
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Product Details
  • Dimensions: 215 x 260mm
  • Publication Date: 05 Jun 2022
  • Publisher: Paul Holberton Publishing Ltd
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781913645274

About

Barnaby Wright is Deputy Head of The Courtauld Gallery and Daniel Katz Curator of 20th century art. He has curated and co-curated a series of exhibitions including: Frank Auerbach: London Building Sites 1952-62 (2009- 10); Cezannes Card Players (2010-11); Becoming Picasso: Paris 1901 (2013); Egon Schiele: The Radical Nude (2014-15); Soutines Portraits: Cooks Waiters and Bellboys (2017-18); and Edvard Munch: Masterpieces from Bergen (2021). He has also curated a variety of contemporary shows at The Courtauld including Richard Serra: Drawings for the Courtauld (2013); Jasper Johns: Regrets (2014); and Bridget Riley: Learning from Seurat (2015-16). Coralie Malissard is the Bridget Riley Art Foundation Curatorial Assistant.

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