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A01=A.L. Rees
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Fields of View: Film, Art and Spectatorship

★★★★★
★★★★★

English

By (author): A.L. Rees

Drawing on film theory, literary modernism, psychology and art history, Fields of View elucidates an expanded network of connections between avant-garde film and wider culture. In this bold and original work, A.L. Rees identifies three key terms - field, frame and interval and charts their use by filmmakers and theorists such as Dziga Vertov, Sergei Eisenstein, Bruce Baillie, Maya Deren, Malcolm Le Grice and Werner Nekes, from the 1920s through to the present day. A seminal voice in film culture, Rees left the incomplete manuscript for this book on his death, and Simon Payne has subsequently carefully prepared the book for publication. Fields of View is an important work that establishes a unique perspective on experimental film. See more
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A01=A.L. ReesAge Group_UncategorizedAuthor_A.L. Reesautomatic-updateB13=Simon PayneCategory1=Non-FictionCategory=AFKVCategory=APFCategory=APFACOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=Not available (reason unspecified)Price_€100 and abovePS=Activesoftlaunch
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Product Details
  • Weight: 578g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Oct 2020
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781838719944

About A.L. Rees

A.L. Rees was Head of the Time Based Media course at Maidstone College of Art from 1988 1995 and then Research Tutor at the Royal College of Art until 2014. At various times he was the chair of the Arts Councils artists film and video committee and an adviser on experimental film to the British Film Institute Tate the Arts and Humanities Research Council and Channel 4. His book A History of Experimental Film and Video (BFI 1999/2011) remains a key text supplemented by the wide range of essays he wrote for journals and books on film and art. Simon Payne is Reader in Film and Media Studies at Anglia Ruskin UniversityUK. In addition he is an experimental video maker whose work has shown in numerous venues including Tate Modern; the Serpentine Gallery; The Hermitage St Petersburg and the London Edinburgh and Rotterdam Film Festivals. He has written widely on experimental film and video and recently co-edited Kurt Kren: Structural Film with Nicky Hamlyn and A.L. Rees.

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