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B01=Adrian Danks
Category1=Non-Fiction
Category=APFB
COP=United Kingdom
Delivery_Delivery within 10-20 working days
Language_English
PA=Available
Price_€100 and above
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A Companion to Robert Altman

English

A Companion to Robert Altman presents myriad aspects of Altmans life, career, influence and historical context. This book features 23 essays from a range of experts in the field, providing extensive coverage of these aspects and dimensions of Altmans work.

  • The most expansive and wide-ranging book yet published on Altman, providing a comprehensive account of Altmans complete career
  • Provides discussion and analysis of generally neglected aspects of Altmans career, including the significance of his work in television and industrial film, the importance of collaboration, and the full range and import of his aesthetic innovations
  • Includes essays by key scholars in Altman studies, bringing together experts in the field, emerging scholars and writers from a broad range of fields
  • Multi-disciplinary in design and draws on a range of approaches to Altmans work, being the first substantial publication to make use of the recently launched Robert Altman Archive at the University of Michigan
  • Offers specific insights into particular aspects of film style and their application, industrial and aesthetic film and TV history, and particular areas such as the theorisation of space, place, authorship and gender
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Current price €167.43
Original price €181.99
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Age Group_Uncategorizedautomatic-updateB01=Adrian DanksCategory1=Non-FictionCategory=APFBCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€100 and abovePS=Activesoftlaunch
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Product Details
  • Weight: 984g
  • Dimensions: 180 x 254mm
  • Publication Date: 05 Jun 2015
  • Publisher: John Wiley and Sons Ltd
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781118288900

About

Adrian Danks is Director of Higher Degree Research in the School of Media and Communication Royal Melbourne Institute of Technology (University). He is also co-curator of the Melbourne Cinémathèque and co-editor of Senses of Cinema. He has published widely on various subjects including found footage cinema auteurism cinephilia rear-projection the film-on-film Iranian cinema Australian cinema film restoration and home movies in a range of books and journals.

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