Screening Characters: Theories of Character in Film, Television, and Interactive Media | Agenda Bookshop Skip to content
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B01=Aaron Taylor
B01=Johannes Riis
Category1=Non-Fiction
Category=APB
Category=APF
Category=HPN
Category=JFD
COP=United Kingdom
Delivery_Pre-order
Language_English
PA=Temporarily unavailable
Price_€20 to €50
PS=Active
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Screening Characters: Theories of Character in Film, Television, and Interactive Media

English

Characters are central to our experiences of screened fictions and invite a host of questions. The contributors to Screening Characters draw on archival material, interviews, philosophical inquiry, and conceptual analysis in order to give new, thought-provoking answers to these queries. Providing multifaceted accounts of the nature of screen characters, contributions are organized around a series of important subjects, including issues of class, race, ethics, and generic types as they are encountered in moving image media. These topics, in turn, are personified by such memorable figures as Cary Grant, Jon Hamm, Audrey Hepburn, and Seul-gi Kim, in addition to avatars, online personalities, animated characters, and the ensembles of shows such as The Sopranos, Mad Men, and Breaking Bad.

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Current price €44.99
Original price €49.99
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Age Group_Uncategorizedautomatic-updateB01=Aaron TaylorB01=Johannes RiisCategory1=Non-FictionCategory=APBCategory=APFCategory=HPNCategory=JFDCOP=United KingdomDelivery_Pre-orderLanguage_EnglishPA=Temporarily unavailablePrice_€20 to €50PS=Activesoftlaunch

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Product Details
  • Weight: 800g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Sep 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9780367660369

About

Johannes Riis is an Associate Professor of Film Studies at the University of Copenhagen. He has published extensively on issues of film acting including a monograph (Spillets kunst: Følelser i film); articles in numerous journals and anthologies including Cinema Journal Projections and The Routledge Companion to Philosophy and Film. A member of the Board of Directors at The Society for Cognitive Studies of the Moving Image since 2005 he is currently writing a book on film acting styles between 1920 and 1980.Aaron Taylor is an Associate Professor of New Media and a Board of Governors Research Chair (2019-2023) at the University of Lethbridge. He is the editor of Theorizing Film Acting and his essays on performance have been published in numerous journals and anthologies including Cinema Journal Velvet Light Trap inTransition Quarterly Review of Film and Video The Journal of Film and Video Close-Up: Great Cinematic Performances Vol. 2 Make Ours Marvel Millennial Masculinity Acting and Performance in Moving Image Culture and Stages of Reality.

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