This book proposes a transversal approach to art, perceived less as a financial asset class than a source of immediate felicity. It will be of interest to students in art schools addressing the challenges of forgery and authentication in art, at a time in which Artificial Intelligence is becoming a commonly used tool. The book brings forward the 'aesthetic yield' meant to encapsulate the emotional pleasure generated by art and an extension of the 'convenience yield', that represents the benefit of owning a physical commodity - as first suggested by Keynes, an immense economist, and a talented art collector whose portfolio is discussed in the book. Investors will learn of the unique difficulties involved in identifying returns on artworks, illustrated by the famous Salvator Mundi example. Beyond art indexes, the book aims at exploring the financial economics of art, with its scarcity and its incomplete information. Non-fungible tokens (NFTs) are also simply explained.
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Product Details
Dimensions: 148 x 212mm
Publication Date: 01 Sep 2024
Publisher: Cambridge Scholars Publishing
Publication City/Country: United Kingdom
Language: English
ISBN13: 9781036408725
About Hélyette Geman
Hélyette Geman is a Professor of Finance at Johns Hopkins University USA and Senior Fellow in the think tank Policy Centre for the New South in Rabat Morocco. Her previous institutions include ESSEC Business School and Université Paris Dauphine France as well as Birkbeck University of London UK. Hélyette is a graduate of Ecole Normale Supérieure France and holds PhDs in probability and finance. She was recognized as the Financial Engineer of the Year 2022 by the International Association for Quantitative Finance making her the first woman to receive the award. She is the author of Commodities and Commodity Derivatives and Agricultural Finance as well as more than 120 papers in major finance economics and insurance journals. Her primary research interests over the last 14 years have focused on climate change cryptocurrencies and art.