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B01=Henry Bial
B01=Scott Magelssen
Category1=Non-Fiction
Category=AN
Category=HBAH
COP=United States
Delivery_Delivery within 10-20 working days
Language_English
PA=Available
Price_€20 to €50
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Theater Historiography: Critical Interventions

English

Questions about how theater history should be taught have in recent years provoked passionate discussions. Some scholars have argued that the emerging discipline of performance studies should replace theater history altogether. On the other side of the debate, traditional theater historians have sometimes rejected performance studies analyses as unsatisfactorily diffuse and less than rigorous. Showcasing the work of scholars conducting innovative and compelling research in theater history, Theater Historiography collects original essays that probe key methodological questions about interdisciplinarity, postcolonialism, the archive, and digital technology. The result is a volume that features a cohesiveness of theme and purpose while encompassing a range of approaches, historic periods, geographical areas, and performance genres. Taken together, the essays demonstrate the synergistic relationship between theater history and performance studies. Though the two fields have often seemed to be in conflict, the scholarship presented here draws freely on the methods and terminologies of both disciplines, showing that the critical intersection between theater history and performance studies is not just desirable, but inevitable. See more
Current price €29.25
Original price €32.50
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Age Group_Uncategorizedautomatic-updateB01=Henry BialB01=Scott MagelssenCategory1=Non-FictionCategory=ANCategory=HBAHCOP=United StatesDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€20 to €50PS=Activesoftlaunch
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Product Details
  • Weight: 441g
  • Publication Date: 30 Oct 2010
  • Publisher: The University of Michigan Press
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9780472051335

About

Henry Bial is Assistant Professor of Theatre University of New Mexico. He is editor of The Performance Studies Reader and co-editor of Brecht Sourcebook

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