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A01=Erin Eckhold Sassin
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Single People and Mass Housing in Germany, 18501930: (No)Home Away from Home

English

By (author): Erin Eckhold Sassin

Unsettling traditional understandings of housing reform as focused on the nuclear family with dependent children, Single People and Mass Housing in Germany, 1850-1930 is the first complete study of single-person mass housing in Germany and the pivotal role this class- and gender-specific building type played for over 80 yearsin German architectural culture and society, the transnational Progressive reform movement, Feminist discourse, and International Modernismand its continued relevance. Homes for unmarried men and women, or Ledigenheime, were built for nearly every powerful interest group in Germanyprogressive, reactionary, and radical alikefrom the mid-nineteenth century into the 1920s. Designed by both unknown craftsmen and renowned architects ranging from Peter Behrens to Bruno Taut, these homes fought unregimented lodging in overcrowded working-class dwellings while functioning as apparatuses of moral and social control. A means to societal reintegration, Ledigenheime effectively bridged the public-private divide and rewrote the rules of who was deserving of quality housingpointing forward to the building programs of Weimar Berlin and Red Vienna, experimental housing in Soviet Russia, Feminist collectives, accommodations for postwar guestworkers, and even housing for the elderly today. See more
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Product Details
  • Weight: 696g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Jan 2021
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781501342721

About Erin Eckhold Sassin

Erin Eckhold Sassin is Associate Professor of History of Art & Architecture at Middlebury College USA. Her research focuses on modern architecture and urban culture in Germany and the United States with a particular interest in how class gender and ethnicity inform the built environment. Her most recent work deals with the everyday tragedy of the First World War and the production of architecture within the state of emergency as well as the intersection of Acoustic Ecology and Architectural History.

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