Rachel Kneebone: Regarding Rodin

Name: Rachel Kneebone: Regarding Rodin
Brand: Anomie Publishing
SKU: 9781910221013
Price: 29.43 EUR
Availability: InStock

★★★★★

English

By (author): Ali Smith

Illustrated by: John Lowe, Stephen White

Rachel Kneebone (born 1973, Oxfordshire) is a London-based artist internationally renowned for her porcelain sculptures that intricately fuse human, natural and abstract forms to explore universal themes such as sexual desire, mortality, anguish and despair.

Launched in anticipation of 399 Days, Kneebones latest presentation at White Cube, London, in summer 2014, this publication features works from Kneebones acclaimed solo exhibition at Brooklyn Museum in 2012, which included eight of the artists works in dialogue with fifteen bronze sculptures by Auguste Rodin.

Featuring a foreword by Catherine Morris and a text by Ali Smith, this beautifully designed and produced hardback publication contains over fifty colour reproductions and has been developed with support from Brooklyn Museum.
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A01=Ali SmithA02=Catherine MorrisA02=Herman LelieA02=Stefania BonelliA12=John LoweA12=Stephen WhiteAge Group_UncategorizedAuthor_Ali Smithautomatic-updateCategory1=Non-FictionCategory=ACXJCategory=AFKBCategory=AGBCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€20 to €50PS=ActivesoftlaunchZ99=Catherine MorrisZ99=Herman LelieZ99=Stefania Bonelli

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Product Details

Dimensions: 235 x 170mm
Publication Date: 21 Aug 2014
Publisher: Anomie Publishing
Publication City/Country: United Kingdom
Language: English
ISBN13: 9781910221013

About Ali Smith

Ali Smith was born in Inverness and lives in Cambridge. Her latest few books are There But For The (Penguin 2011) Artful (Penguin 2012) Shire (Full Circle 2013) and How to be both (Hamish Hamilton 2014). Catherine Morris has been the Sackler Family Curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum since 2009. She has curated exhibitions including the award winning Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art (co-curated with Vincent Bonin); Käthe Kollwitz: Prints from the War and Death Portfolios; Matthew Buckingham: The Spirit and the Letter; and Kiki Smith: Sojourn. She was in-house curator of Eva Hesse: Spectres 1960 and Seductive Subversion: Women Pop Artists 1958-1968. As an independent curator she organized among other projects Decoys Complexes and Triggers: Women and Land Art in the 1970s at Sculpture Center Long Island City and Gloria: Another Look at Feminist Art of the 1970s at White Columns New York. Morris was the recipient of a Penny McCall Foundation Award for Independent Curating and Writing.