Printing Colour 1700 - 1830: Histories, Techniques, Functions, and Receptions

About Elizabeth SavageMargaret Morgan Grasselli

Dr Elizabeth Savage FSA FRHistS is Senior Lecturer in Book History and Communications School of Advanced Study and Head of Academic Research Engagement Senate House Library University of London. In 2020-22 she was an Honorary Fellow at Centre for the Study of the Book Bodleian Libraries Oxford University. In 2022-23 she was a Fellow at Linda Hall Library. Her research into pre-industrial European printing techniques especially for colour has won awards including the Schulman and Bullard Article Prize. Her latest book is Early Colour Printing: German Renaissance Woodcuts at the British Museum and she co-edited Printing Colour 1400-1700. She regularly curates and contributes to exhibitions about print heritage for example at the British Museum and Musée du Louvre. She teaches at London Rare Books School. Dr Margaret Morgan Grasselli worked for forty years at the National Gallery of Art in Washington thirty as Curator of Old Master Drawings. Having retired in 2020 she then served as Visiting Lecturer in the department of History of Art and Architecture of the Faculty of Arts and Sciences at Harvard University (2020-2022) and Visiting Senior Scholar for Drawings at the Harvard Art Museums (2020-2023). An expert on French drawings she is also an authority on French colour prints of the 18th century. She organised the 2003 exhibition at the National Gallery of Art Colorful Impressions: The Printing Revolution in Eighteenth-Century France and was the editor and primary author of the accompanying catalogue.