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Hearing Beethoven: A Story of Musical Loss and Discovery

English

By (author): Robin Wallace

Were all familiar with the image of a fierce and scowling Beethoven, struggling doggedly to overcome his rapidly progressing deafness. That Beethoven continued to play and compose for more than a decade after he lost his hearing is often seen as an act of superhuman heroism. But the truth is that Beethovens response to his deafness was entirely human. And by demystifying what he did, we can learn a great deal about Beethovens music. Perhaps no one is better positioned to help us do so than Robin Wallace, who not only has dedicated his life to the music of Beethoven but also has close personal experience with deafness. One day, Wallaces late wife, Barbara, found she couldnt hear out of her right earthe result of radiation administered to treat a brain tumor early in life. Three years later, she lost hearing in her left ear as well. Over the eight and a half years that remained of her life, despite receiving a cochlear implant, Barbara didnt overcome her deafness or ever function again like a hearing person. Wallace shows here that Beethoven didnt do those things, either. Rather than heroically overcoming his deafness, Beethoven accomplished something even more challenging: he adapted to his hearing loss and changed the way he interacted with music, revealing important aspects of its very nature in the process. Wallace tells the story of Beethovens creative life, interweaving it with his and Barbaras experience to reveal aspects that only living with deafness could open up. The resulting insights make Beethoven and his music more accessible and help us see how a disability can enhance human wholeness and flourishing. See more
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Original price €23.99
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Product Details
  • Dimensions: 140 x 216mm
  • Publication Date: 06 Oct 2021
  • Publisher: The University of Chicago Press
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9780226815367

About Robin Wallace

Robin Wallace is professor of musicology at Baylor University. He is the author of Beethoven's Critics and Take Note: An Introduction to Music through Active Listening.

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