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B01=William Hope
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COP=United Kingdom
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Format_Hardback
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Italian Film Directors in the New Millennium

Hardback | English

This collection of essays examines the themes and styles that characterize the new millennium work of Italian film directors from different generations. These artists range from Marco Bellocchio, Dario Argento, Marco Tullio Giordana, and Nanni Moretti, who made their name in the 1960s and 1970s, to Oscar winners such as Gabriele Salvatores who forged their careers in the late 1980s. The volume also features essays on Cipri and Maresco, Emanuele Crialese, Cristina Comencini, as well as work on successful new millennium directors such as Paolo Sorrentino and Matteo Garrone whose controversial films examine the nature of interpersonal relations and the individual''s rapport with Italian society today. The essays illustrate the way in which contrasting images of Italy and its provinces emerge in the work of different directors; what links new millennium Italian screen protagonists, film directors, and even individual spectators is often a sense of being at the centre of oppressively converging social, economic, and political forces and having diminishing opportunities and space for self-realization. The contributors to the volume are academics who have also worked as film critics, visual artists, film industry administrators, and, indeed, as film-makers, and the book''s foreword has been written by Geoffrey Nowell-Smith. See more
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Product Details
  • Format: Hardback
  • Dimensions: 148 x 212mm
  • Publication Date: 01 Jun 2010
  • Publisher: Cambridge Scholars Publishing
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781443820752

About

William Hope completed a doctorate in Italian Literature and Film at the University of Birmingham and lectures at the University of Salford. His main research area is modern Italian cinema. He is a member of the editorial board of Studies in European Cinema and is currently co-ordinating an AHRC-funded project entitled A New Italian Political Cinema? His publications include Giuseppe Tornatore: Emotion Cognition Cinema (Cambridge Scholars Publishing 2006) and the edited volume Italian Cinema-New Directions (Peter Lang 2005).

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