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A01=Florian Villain
A01=Jean Luc Dubin
Age Group_Uncategorized
Age Group_Uncategorized
Author_Florian Villain
Author_Jean Luc Dubin
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Category1=Non-Fiction
Category=AJB
COP=France
Delivery_Delivery within 10-20 working days
Format=BB
Format_Hardback
Language_English
Price_€50 to €100
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Sublime Napoli

Hardback | English

By (author): Florian Villain Jean Luc Dubin

Fascinated by the primitive beauty of reality, French photographer Jean Luc Dubin apprehends the social world without interpretation or spirituality, guided by what Florian Villain calls a gaze without a glance . Human behavior in all its materiality is an inexhaustible source of poetry for the photographer. In Naples as in New York, his street photos are shaped like a social precipitate, triggered by the magical moment of the click. Beyond the social world, Jean Luc Dubin also tackles received ideas about human nature, which is akin to a standardized construction. As the starting point of his friendship with Florian Villain, his photos affirm that he there are as many humanities as there are possibilities. And if the beautiful can afford to be weird, sometimes transmuting into extreme beauty, it is good because it is revealed by the singular gaze of a photographer. Human behaviour in all its materiality is an inexhaustible source of poetry for the photographer. In Naples, his street photos form like a social precipitate, triggered by the magic moment of the click. As such, the series on Naples includes several bones and vanities attached to the ritual of wandering souls , which consists in honoring the skull of the dead in order to soften their arrival in the afterlife and offer them recognition and dignity. In the heart of the Neapolitan cellars, women have perpetuated this tradition for centuries. Jean Luc Dubin took an interest in these practices at the same time as Florian Villain, who found in the photographs of his friend, a resonance to the thesis that he would expose some time later, in the review of Mauss. In its history, Naples has overcome constant tragedies and threats that have permanently shaped the behaviour of its inhabitants. Regularly under foreign domination, the city experienced invasions, epidemics and deadly eruptions without ever losing its identity. Florian Villain explains that Naples was built on appearances to protect its culture, recalling that its streets are like a theatre scene . According to the sociologist, we cannot penetrate the Neapolitans to day without looking elsewhere than what they deign to show us; Jean Luc Dubin, however, manages to detect what survives under the mask. See more
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A01=Florian VillainA01=Jean Luc DubinAge Group_UncategorizedAuthor_Florian VillainAuthor_Jean Luc Dubinautomatic-updateCategory1=Non-FictionCategory=AJBCOP=FranceDelivery_Delivery within 10-20 working daysFormat=BBFormat_HardbackLanguage_EnglishPrice_€50 to €100softlaunch
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Product Details
  • Format: Hardback
  • Dimensions: 203 x 280mm
  • Publication Date: 04 Nov 2021
  • Publisher: Hemeria
  • Publication City/Country: France
  • Language: English
  • ISBN13: 9782490952045

About Florian VillainJean Luc Dubin

Born in 1949 Jean Luc Dubin lives and works near Paris in France. After commercial studies he chose to devote himself to photography a passion of childhood: from the age of 11 during a summer camp he discovered the power of the image. His work is eclectic portraits of classical and jazz musicians (for Deutch Gramophon Verve) a residency at the Musee de l''Homme in Paris for a visual artist portraits and always travel before elaborating on powerful themes including the spine expresses a deep humanity. In the 1970s and 1980s these are the first exhibitions in Paris in 1973 for Les Gens de Prague then in 1980 New-York City in 1982 Saint-Louis Missouri in 1983 Le Peuple Sarahoul . in 1987 the Musee des Beaux Arts de Chartres hosted his work Visite des Images de la Cathedrale large black and white prints on palisades installations of objects abandoned by tourists an ambulatory of images on the ground... In 1992 and 1995 he participates in two major exhibitions of the Musee de l''Homme Tous parents Tous Differentes and Six milliards d''hommes . De 1996 to 1999 he worked at the CMP in Montreuil with children aged five to eight with behavioural problems. Begins work on identity from genograms. En 1995 he was invited to residency in Tangier (Fondation Lorin) with Portraits de mois avec Bebe shortcuts of life thirty portraits Polaroid 50 x 60 then in Fez in 1997 : he built L''Arbre a Famille with the sculptor Jocelyne Bouquin. En 2003its Mariannes de La Republique dress the columns of the French National Assembly. In 2004 he participated in a group exhibition at the Galerie Herschtritt in Paris then in 2005 it was the beginning of a work entitled Monstruosite Beaute Extreme about the collection of human pathologies at the Mu In 2005 Le Piege a reflets is a creation that emerges from two successive residencies at the Cultural Centre of Cotonou in Benin exhibited at the Lhomond Foundation in Paris and at the French Cultural Centre in Cotonou. In 2011 this installation is shown in Provins plus Fictions Vaudoues which are exhibited in December at the Galerie Iconoclastes under the name: Fictions Vaudoues nature mortes argentiques et installation . In 2013 he is invited to the Rencontres Internationales de la Photographie in Tlemcen and Oran and organizes workshops with young Algerian photographers. He is invited to the Rencontres Internationales de la Photographie in Tlemcen and Oran and organizes workshops with young Algerian photographers. In 2016 is released 1978 New York with a text by Peter Wortsman which traces the photographic work he had undertaken in New York in 1978. In Also in 2016 he initiated an artistic mediation to talk about the special relationship between Algeria and France with the scientific support of Professor Andre Langaney geneticist of the populations. It is then that he creates Melangeons-nous a project of artistic and playful encounters which tries to pose images and words on the question of living together. Since 2012 he has led therapeutic workshops in three departments of the Ville-Evrard psychiatric hospital (near Paris France) with the desire to offer patients the opportunity to use photography to enhance their self-esteem and to open up to others. Florian Villain is a teacher-researcher philosopher and sociologist. He is especially Neapolitan for love (his wife is from Naples). By his text he revisits her city of heart devoid of any judgment but enthusiastic and filled with this joy of living baroque that can only be found in Naples. He supports Jean Luc Dubin in his approach photographic for several months.

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