James Watt (1736-1819): Culture, Innovation and Enlightenment
★★★★★
★★★★★
English
James Watt (1736-1819) was a pivotal figure of the Industrial Revolution. His career as a scientific instrument maker, inventor and engineer was developed in Scotland, his land of birth. His subsequent national and international significance as a scientist, technologist and businessman was formed in the Birmingham area. There, his partnership with Matthew Boulton and the intellectual and personal support of other members of the Lunar Society network, such as Erasmus Darwin, James Keir, William Small and Josiah Wedgwood, enabled him to translate his improvements in steam technology into efficient machines. His pumping and rotative steam engines represent a summit of technological achievement in the late-eighteenth and early-nineteenth centuries. This is the traditional picture of James Watt. After his death, his surviving son, James Watt junior projected his fathers image through commissioning sculptures, medals, paintings and biographies which celebrated his reputation as a great man of the Industrial Revolution. In popular historical understanding Watt has also become a hero of modernity, but the context in which he operated and the roles of others in shaping his ideas have been downplayed. This book explores new aspects of his work and evaluates him in his locational, family, social and intellectual contexts.
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Product Details
Dimensions: 156 x 234mm
Publication Date: 28 Jan 2020
Publisher: Liverpool University Press
Publication City/Country: United Kingdom
Language: English
ISBN13: 9781789620825
About
Malcolm Dick is Director of the Centre for West Midlands History at the University of Birmingham. He directed two history projects in Birmingham between 2000 and 2004: the Millennibrum Project which created a multi-media archive of post-1945 Birmingham history and Revolutionary Players which produced an online resource of the history of the West Midlands region. Malcolm has published books on Joseph Priestley Matthew Boulton and the history of Birmingham and co-directs the Centre for Printing History & Culture. Caroline Archer-Parré is Professor of Typography at Birmingham City University Director of the Centre for Printing History & Culture and Chairman of the Baskerville Society. She is the author of The Kynoch Press 1876-1982: the anatomy of a printing house (British Library 2000); Paris Underground (MBP 2004); and Tart cards: Londons illicit advertising art (MBP 2003). Caroline is currently Co-investigator on the AHRC-funded project Letterpress Printing: past present future.