Milton, Drama, and Greek Texts

This collection reconsiders Miltons engagement with Greek texts, with particular attention to the theological and theatrical meanings attached to Greek in the early modern period. Responding to new scholarship on early modern reactions to Greek authors especially Euripides and Homer, Miltons particular favourites the collection emphasizes the associations of Greek with both Protestantism and the origins of tragedy, two arenas frequently in tension, but crucially linked in Miltons literary imagination. The contributions explore a range of works spanning the whole of Miltons career, from the early masque Comus, through the political and religious prose, to the 1671 closet drama, Samson Agonistes. They consider the ways in which the authority and controversy attached to Greek authors framed Miltons approaches to their texts. Looking at both the texts and their interpretative traditions together, this book suggests that Greek authors shaped Miltons attitudes to drama in ways even more extensive and surprising than we have yet recognized. This book was originally published as a special issue of The Seventeenth Century.