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A01=Rob Ward
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Author_Rob Ward
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Category1=Non-Fiction
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Love It If We Beat Them

English

By (author): Rob Ward

What is power without principle? What are principles without power? It's Spring 1996: Kevin Keegan's Newcastle United are riding high in the Premier League and Tony Blair's New Labour are gathering pace. Hope is in the air and victory seems within reach. Len, a long term traditional Labour left activist, has decided to run as a candidate for local Labour MP, but the arrival of Victoria as front runner throws a spanner in the works. With loyalties tested and tensions reaching fever pitch, the winning team will be decided in an explosive head-to-head challenge. Love It If We Beat Them is a new political drama from writer Rob Ward that explores a time of significant change in the identity of North East communities and perfectly captures a moment in recent history that defines who we are today. A knockout play about Labour, love, and the beautiful game. This edition was published to coincide with the world premiere at Newcastle's Live Theatre, in March 2023. See more
Current price €15.75
Original price €17.50
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A01=Rob WardAge Group_UncategorizedAuthor_Rob Wardautomatic-updateCategory1=Non-FictionCategory=DDCategory=DSGCOP=United KingdomDelivery_Pre-orderLanguage_EnglishPA=Temporarily unavailablePrice_€10 to €20PS=Activesoftlaunch

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Product Details
  • Dimensions: 129 x 198mm
  • Publication Date: 02 Mar 2023
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781350417854

About Rob Ward

Rob Ward is a two-time Manchester Theatre Award winning writer and performer who is also the Creative Director of Emmerson & Ward Productions. Rob has taken his shows on multiple UK tours along with international touring in Canada Germany New Zealand Republic of Ireland and Serbia. His other plays include The MP Aunty Mandy & Me (2020) Gypsy Queen (2016) and Away From Home (2013) co-written with Martin Jameson. Rob was named a British Council Emerging Artist in 2017 and received a 2022 Peter Schaffer Commission from the National Theatre.

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