This volume brings together a number of hard-to-find reviews, essays, memoirs and journal pieces by Gael Turnbull, a central figure in the interaction between American and British poetry in the 1950s, 60s and 70s, and also publisher of the excellent small press, Migrant. Shearsman published his Collected Poems, 'There are words...' in 2006, and this companion volume fills out the picture of an influential figure in British letters, with a number of pieces on poets such as Basil Bunting and Roy Fisher, as well as nods in the direction of Olson and Creeley on the other side of the Atlantic. The book is introduced by the poet's widow, Jill Turnbull, who has also made the final selection of pieces to be included, with Hamish Whyte, Turnbull's long-time publisher in Edinburgh.
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Product Details
Weight: 307g
Dimensions: 152 x 229mm
Publication Date: 15 Sep 2012
Publisher: Shearsman Books
Publication City/Country: United Kingdom
Language: English
ISBN13: 9781848610934
About Gael Turnbull
Gael Turnbull (1928 - 2004) was born in Edinburgh but grew up in Jarrow and in Blackpool before emigrating to Winnipeg at the outbreak of the war with his father and mother respectively a Scottish Baptist Minister and an American of Swedish descent. He returned to England in 1944 to complete his schooling and then to study Natural Sciences at Cambridge University. After rejoining his family in North America he studied for an MD at the University of Pennsylvania and then in 1952 became a GP and anaesthetist in northern Ontario as well as providing medical assistance at logging camps in the area. There followed a short stay in London (1955 - 56) and a position as anaesthetist in Worcester until 1958 followed by a similar position in California. He returned to Worcester in 1964 to avoid the possibility of being sent to Vietnam as a medical orderly. He was to work as a general practitioner and anaesthetist until his retirement in 1989 whereupon he returned to live in Edinburgh. An independent figure he was central to the early transatlantic poetic contacts which were to have a transforming effect on many poets in Britain in the 1950s and 1960s. Frequently collected and anthologised his own poetry was deeply personal and owed little to any particular school although it is fair to say that his admiration for the work of William Carlos Williams another poet-doctor never left him and was an early driving force behind the discovery and the maturing of his own poetic voice.