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Please note that books with a 10-20 working days delivery time may not arrive before Christmas.
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B01=Kenneth Kreitner
Category1=Non-Fiction
Category=AVC
Category=AVGC
Category=AVGC2
COP=United Kingdom
Delivery_Pre-order
Language_English
PA=Not yet available
Price_€20 to €50
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Renaissance Music

English

We know what, say, a Josquin mass looks likebut what did it sound like? This is a much more complex and difficult question than it may seem. Kenneth Kreitner has assembled twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history. See more
Current price €38.63
Original price €41.99
Save 8%
Age Group_Uncategorizedautomatic-updateB01=Kenneth KreitnerCategory1=Non-FictionCategory=AVCCategory=AVGCCategory=AVGC2COP=United KingdomDelivery_Pre-orderLanguage_EnglishPA=Not yet availablePrice_€20 to €50PS=Activesoftlaunch

Will deliver when available. Publication date 14 Oct 2024

Product Details
  • Weight: 870g
  • Dimensions: 174 x 246mm
  • Publication Date: 14 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781032919584

About

Kenneth Kreitner is Professor of Musicology and Assistant Director for Graduate Curriculum & Advising at the University of Memphis USA. A scholar of renaissance Spain historical performance and nineteenth-century American amateur bands he is also an active performer on early brass and woodwind instruments and directs the University's Collegium Musicum the professional Memphis Consortium for Early Music and the nineteenth-century Phosphate Band. In 2007 he was named recipient of the Union Planters Benjamin W. Rawlins Jr. Meritorious Professorship. Presented by the College of Communication and Fine Arts the award recognizes exceptional achievement in teaching scholarship service and outreach. He also received the University of Memphis Alumni Distinguished Teaching Award in 2000 and the Robert M. Stevenson Award for outstanding scholarship in Iberian music from the American Musicological Society in 2007.

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