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B01=Gregory J. Decker
B01=Matthew R. Shaftel
Category1=Non-Fiction
Category=AVA
Category=AVGC9
Category=AVS
COP=United States
Delivery_Delivery within 10-20 working days
Language_English
PA=Available
Price_€50 to €100
PS=Active
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Singing in Signs: New Semiotic Explorations of Opera

English

Singing in Signs: New Semiotic Explorations of Opera offers a bold and refreshing assessment of the state of opera study as seen through the lens of semiotics. At its core, the volume responds to Carolyn Abbate and Roger Parker's Analyzing Opera, utilizing a semiotic framework to embrace opera on its own terms and engage all of its constituent elements in interpretation. Chapters in this collection resurrect the larger sense of serious operatic study as a multi-faceted, interpretive discipline, no longer in isolation. Contributors pay particular attention to the musical, dramatic, cultural, and performative in opera and how these modes can create an intertext that informs interpretation. Combining traditional and emerging methodologies, Singing in Signs engages composer-constructed and work-specific music-semiotic systems, broader socio-cultural music codes, and narrative strategies, with implications for performance and staging practices today. See more
Current price €91.07
Original price €98.99
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Age Group_Uncategorizedautomatic-updateB01=Gregory J. DeckerB01=Matthew R. ShaftelCategory1=Non-FictionCategory=AVACategory=AVGC9Category=AVSCOP=United StatesDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€50 to €100PS=Activesoftlaunch
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Product Details
  • Weight: 726g
  • Dimensions: 236 x 160mm
  • Publication Date: 15 Apr 2020
  • Publisher: Oxford University Press Inc
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9780190620622

About

Gregory J. Decker is Associate Professor of Music Theory at Bowling Green State University. He holds the M.M. and Ph.D. in music theory from Florida State University and was the winner of the National Opera Association's biennial dissertation prize in 2013. His research focuses broadly on the semiotics of musical topics and other music-cultural associations in texted music from Italian madrigals to Baroque opera seria to Broadway musicals. He has presented research at numerous regional national and international meetings including the Society for Music Theory National Meeting the Semiotic Society of America the American Handel Society and the Nordic Musicological Congress among others. His publications can be found in Music Theory Online The Opera Journal Intégral and the collected volume A Cole Porter Companion (2016). At BGSU he regularly teaches core undergraduate music theory and aural skills courses and graduate seminars in semiotics musical topics and Schenkerian analysis. He also serves as the coordinator of music theory. Matthew R. Shaftel is Dean of the College of Fine Arts at Ohio University. He has previously served as Dean of the Westminster College of the Arts and the Grammy Award-winning Westminster Choir College. Shaftel also served as Associate Vice President of Academic Affairs at Florida State University where he led the development of a signature general-education program Liberal Studies for the 21st Century. He received three degrees from Yale University. Highly active as a teacher scholar and musician he has published numerous articles and books including a textbook published by Oxford University Press. His award-winning volume on Cole Porter co-edited with Susan Weiss and Don Randel was released in 2016.

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