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B01=Ananay Aguilar
B01=Eric Clarke
B01=Matthew Pritchard
B01=Ross Cole
Category1=Non-Fiction
Category=AV
COP=United Kingdom
Delivery_Pre-order
Language_English
PA=Temporarily unavailable
Price_€20 to €50
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Remixing Music Studies: Essays in Honour of Nicholas Cook

English

Where is the academic study of music today, and what paths should it take into the future? Should we be looking at how music relates to society and constructs meaning through it, rather than how it transcends the social? Can we remix our discipline and attempt to address all musics on an equal basis, without splitting ourselves in advance into subgroups of musicologists, theorists, and ethnomusicologists? These are some of the crucial issues that Nicholas Cook has raised since he emerged in the 1990s as one of the UKs leading and most widely-read voices in critical musicology. In this book, collaborators and former students of Cook pursue these questions, and others raised by his workfrom notation, historiography, and performance to the place of music in multimedia forms such as virtual reality and video games, analysing both how it can bring people together and the ways in which it has failed to do so.

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Original price €49.99
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Age Group_Uncategorizedautomatic-updateB01=Ananay AguilarB01=Eric ClarkeB01=Matthew PritchardB01=Ross ColeCategory1=Non-FictionCategory=AVCOP=United KingdomDelivery_Pre-orderLanguage_EnglishPA=Temporarily unavailablePrice_€20 to €50PS=Activesoftlaunch

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Product Details
  • Weight: 280g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Apr 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9780367501334

About

Ananay Aguilar is a scholar and consultant in copyright and cultural policy affiliated with the Centre of Intellectual Property and Information Law (CIPIL) at the University of Cambridge. Her book on the legal rights of performers in the UK music industry is under contract with Palgrave.Ross Cole is a Junior Research Fellow at the University of Cambridge. His research interests extend from the late 19th century up to the present with a particular focus on popular culture and experimentalism. He has just finished the manuscript of his first book entitled The Folk: Music Modernity and the Political Imagination.Matthew Pritchard is Lecturer in Musical Aesthetics at the University of Leeds. He has published on aspects of music aesthetics from c.17501930 in Germany and is working on a book examining the aesthetics of this period through the lens of the history of emotions. He also writes on and translates the songs and musical essays of Rabindranath Tagore.Eric Clarke is Heather Professor of Music at the University of Oxford and a Professorial Fellow of Wadham College. He has published on topics in the psychology of music and related areas. His books include Empirical Musicology (2004) Ways of Listening (2005) Music and Mind in Everyday Life (2010) Music and Consciousness (2011) and Distributed Creativity (2017).

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