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A01=Nathaniel Tarn
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At the Western Gates

English

By (author): Nathaniel Tarn

At the Western Gates was first published by a small press in New Mexico in 1985, and consisted of five powerful long poems that exemplify the best of Nathaniel Tarn's work in the late 1970s and early 1980s. In this new edition, they are joined by another long sequence, `Birdscapes with Seaside', originally a one-off issue of Sparrow magazine in 1976, which fits well with the rest of the contents. This book is revived here as part of the Shearsman Library series, which is devoted to recovering significant out-of-print, or hard-to-find editions of modern poetry See more
Current price €15.73
Original price €18.50
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A01=Nathaniel TarnAge Group_UncategorizedAuthor_Nathaniel Tarnautomatic-updateCategory1=Non-FictionCategory=DCFCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishNWS=3PA=In stockPrice_€10 to €20PS=ActiveSN=Shearsman Librarysoftlaunch
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Product Details
  • Weight: 146g
  • Dimensions: 140 x 216mm
  • Publication Date: 16 Feb 2018
  • Publisher: Shearsman Books
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781848615878

About Nathaniel Tarn

Franco-Anglo-American poet Nathaniel Tarn was born in 1928 and educated in France Belgium and England obtaining degrees from Cambridge the Sorbonne and Chicago; he emigrated to the United States in 1970 where he taught at American universities until his retirement. He now lives just outside Santa Fe New Mexico. Although he is perhaps best-known these days as a poet and essayist he is also an anthropologist with a particular interest in Highland Maya studies and the sociology of Buddhist institutions and is also a translator of the highest order (see above all his versions of Neruda's The Heights of Macchu Picchu and Victor Segalen's Stelae). His first collection of poetry was Old Savage/Young City (London: Cape 1964) which was followed the next year by his appearance in the seventh volume of the Penguin Modern Poets series. Three more collections followed in London during which time he also became editor of Cape Goliard and founder-editor of the remarkable Cape Editions series of seminal modern texts: poetry prose anthropology drama many of them in pioneering translations. After he emigrated only two more collections-the important volume A Nowhere for Vallejo and the ambitious book-length poem Lyrics for the Bride of God-were to appear in the UK. Thereafter with the exception of his Shearsman publications and one other volume all of his work has appeared in the USA most significantly: The House of Leaves Atitlan/Alashka (with Janet Rodney) At the Western Gates Selected Poems 1950-2000 Ins and Outs of the Forest Rivers and the recent Gondwana. There is also a significant volume of essays in Views from the Weaving Mountain. Tarn's work is remarkable for expansiveness and its willingness to absorb material from very disparate sources-in this it owes something to the examples of Pound and Olson but also a lot to the author's own anthropological training his knowledge of other languages and his interests in areas such as archaeology.

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