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B01=Peter Cheyne
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Imperfectionist Aesthetics in Art and Everyday Life

English

This book presents interdisciplinary research on the aesthetics of perfection and imperfection. Broadening this growing field, it connects the aesthetics of imperfection with issues in areas including philosophy, music, literature, urban environment, architecture, art theory, and cultural studies.

The contributors to this volume argue that imperfection has value in being open and inclusive. The aesthetics of imperfection is typified by organic, unpolished production and the avoidance of perfect finish, instead representing living and natural change, and opposing the consumerist concern with the flawless and pristine. The chapters are divided into seven thematic sections. After the first section, on imperfection across the arts and culture, the next three parts are on imperfection in the arts of music, visual and theatrical arts, and literature. The second half of this book then moves to categories in everyday life and branches this further into body, self, and the person, and urban environments. Together, the chapters promote a positive ethos of imperfection that furthers individual and social engagement and supports creativity over mere passivity.

Imperfectionist Aesthetics in Art and Everyday Life will appeal to a broad range of scholars and advanced students working in philosophical aesthetics, literature, music, urban environment, architecture, art theory, and cultural studies.

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Current price €40.49
Original price €44.99
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Product Details
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781032170091

About

Peter Cheyne is Associate Professor in British Literature and Culture Shimane University Japan and Visiting Fellow in the Department of Philosophy University of Durham UK. He is the author of Coleridges Contemplative Philosophy (2020). Additionally he is the editor of Coleridge and Contemplation (2017) and co-editor with Andy Hamilton and Max Paddison of The Philosophy of Rhythm: Aesthetics Music Poetics (2020).

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