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B01=Anthony B. Pinn
B01=Christopher M. Driscoll
B01=Monica R Miller
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Kendrick Lamar and the Making of Black Meaning

English

Kendrick Lamar has established himself at the forefront of contemporary hip-hop culture. Artistically adventurous and socially conscious, he has been unapologetic in using his art form, rap music, to address issues affecting black lives while also exploring subjects fundamental to the human experience, such as religious belief. This book is the first to provide an interdisciplinary academic analysis of the impact of Lamars corpus. In doing so, it highlights how Lamars music reflects current tensions that are keenly felt when dealing with the subjects of race, religion and politics.

Starting with Section 80 and ending with DAMN., this book deals with each of Lamars four major projects in turn. A panel of academics, journalists and hip-hop practitioners show how religion, in particular black spiritualties, take a front-and-center role in his work. They also observe that his astute and biting thoughts on race and culture may come from an African American perspective, but many find something familiar in Lamars lyrical testimony across great chasms of social and geographical difference.

This sophisticated exploration of one of popular cultures emerging icons reveals a complex and multi faceted engagement with religion, faith, race, art and culture. As such, it will be vital reading for anyone working in religious, African American and hip-hop studies, as well as scholars of music, media and popular culture.

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Original price €148.99
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Age Group_Uncategorizedautomatic-updateB01=Anthony B. PinnB01=Christopher M. DriscollB01=Monica R MillerCategory1=Non-FictionCategory=AVGRCategory=HRACategory=HRAM2Category=JFDCategory=JFSLCategory=JHBCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€100 and abovePS=Activesoftlaunch
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Product Details
  • Weight: 680g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781138541511

About

Christopher M. Driscoll is Assistant Professor of Religion Africana and American Studies at Lehigh University. Driscoll is also cofounder and former chair of the Critical Approaches to Hip Hop and Religion group at the American Academy of Religion. Much of his work attends to hip hop culture including editing a 2011 special issue of the Bulletin for the Study of Religion on the topic he is coauthor of Breaking Bread Breaking Beats: Churches and Hip Hop A Guide to Key Issues (Fortress 2014) and more. Driscoll is also author of White Lies: Race & Uncertainty in the Twilight of American Religion (Routledge 2015) and coauthor (with Monica R. Miller) of Method as Identity: Manufacturing Distance in the Academic Study of Religion (Lexington 2018).Monica R. Miller is Associate Professor of Religion Africana Studies and Director of Women Gender and Sexuality Studies at Lehigh University USA. Miller is the author of Religion and Hip Hop (Routledge 2012) The Hip Hop and Religion Reader coedited with Anthony B. Pinn (Routledge 2014) Religion in Hip Hop: Mapping the New Terrain in the US coedited with Anthony B. Pinn and Bernard Bun B Freeman (Bloomsbury 2015) Claiming Identity in the Study of Religion: Social and Rhetorical Techniques Examined ed. (Equinox 2016) and Humanism in a Non-Humanist World ed. (Palgrave Macmillan) among other books numerous essays and book chapters on the topic. Miller is cofounder and current cochair of the Critical Approaches to hip hop and Religion group at the American Academy of Religion and has presented nationally on the topic over the past ten years. Anthony B. Pinn is Agnes Cullen Arnold Professor of Humanities and Professor of Religious Studies at Rice University. He is also the founding Director of Rice's Certer for Engaged Research and Collaborative Learning. Pinn is also the Director of Research for the Institute for Humanist Studies (Washington DC). In addition to courses on African American religious thought liberation theologies and religious aesthetics Pinn co-teaches with Bernard Bun B Freeman a popular course on religion and hip hop culture. The course received media coverage from a variety of outlets including MTV. He is the author/editor of over 30 books including Noise and Spirit: Rap Musics Religious and Spiritual Sensibilities (NYU Press 2003); The Religion and Hip Hop Reader coedited with Monica R. Miller (Routledge 2014); and Religion in Hip Hop: Mapping the New Terrain in the US coedited with Monica R. Miller and Bernard Bun B Freeman (Bloomsbury 2015).

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