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B01=Jenny Hughes
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COP=United Kingdom
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Precariousness and the Performances of Welfare

English

Precariousness and the Performances of Welfare brings together an international group of artists, activists and scholars to explore precarity in the contexts of applied and socially engaged theatre. The policy of austerity pursued by governments across the global North following the financial crisis of 2008 has renewed interest in issues of poverty, economic inequality and social justice. Emerging from European contexts of activism and scholarship, precarity has become a shorthand term for the permanently insecure conditions of life under neoliberal capitalism and its associated stripping back of social welfare protections. This collection explores a range of theatre practice, including activist theatres, theatre and health projects, the community work of regional theatres, arts-led social care initiatives, peoples theatres and youth arts programmes. Comprising full-length chapters and shorter pieces, the collection offers new perspectives on social theatre projects as creative occasions of occupation that generate a sense of security in a precarious world.

This book was originally published as a special issue of RiDE: The Journal of Applied Theatre and Performance.

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Current price €43.19
Original price €47.99
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Age Group_Uncategorizedautomatic-updateB01=Jenny HughesCategory1=Non-FictionCategory=ANCategory=JKSCOP=United KingdomDelivery_Pre-orderLanguage_EnglishPA=Temporarily unavailablePrice_€20 to €50PS=Activesoftlaunch

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Product Details
  • Weight: 370g
  • Dimensions: 174 x 246mm
  • Publication Date: 18 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9780367671204

About

Jenny Hughes is a Senior Lecturer in Drama at the University of Manchester UK. She is Points and Practices editor of RiDE: The Journal of Applied Theatre and Performance and publishes in the areas of theatre and economic justice; performance and war; activist performance; and aspects of applied theatre especially theatre with young people living with risk and the histories of socially engaged theatre. Her recent publications include Critical Perspectives on Applied Theatre (with Helen Nicholson 2016) and a special issue of Contemporary Theatre Review edited with Simon Parry Theatre Performance and Activism (2015).

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