Performing Grand-Guignol: Playing the Theatre of Horror | Agenda Bookshop Skip to content
Online orders placed from 19/12 onward will not arrive in time for Christmas.
Online orders placed from 19/12 onward will not arrive in time for Christmas.
A01=Michael Wilson
A01=Prof. Michael Wilson
A01=Prof. Richard J. Hand
A01=Richard J. Hand
Age Group_Uncategorized
Age Group_Uncategorized
Author_Michael Wilson
Author_Prof. Michael Wilson
Author_Prof. Richard J. Hand
Author_Richard J. Hand
automatic-update
Category1=Non-Fiction
Category=AN
Category=ANC
Category=ANF
Category=ANH
Category=DSG
COP=United Kingdom
Delivery_Delivery within 10-20 working days
Language_English
PA=Available
Price_€20 to €50
PS=Active
SN=Exeter Performance Studies
softlaunch

Performing Grand-Guignol: Playing the Theatre of Horror


From the authors of the successful Grand-Guignol and Londons Grand Guignol - also published by UEP this book includes translations of a further eleven plays, adding significantly to the repertoire of Grand-Guignol plays available in the English language.  The emphasis in the translation and adaptation of these plays is once again to foreground the performability of the scripts within a modern context making Performing Grand-Guignol an ideal acting guide.

Hand and Wilson have acquired extremely rare acting copies of plays which have never been published and scripts that were published in the early years of the twentieth century but have not been published since even in French. Includes plays written by, or adapted from, such notable writers as Octave Mirbeau, Gaston Leroux and St John Ervine as well as examples by Grand-Guignol stalwarts René Berton and André de Lorde.  Also included is the 1920s London translation of Blind Mans Buff written by Charles Hellem and Pol dEstoc and banned by the Lord Chamberlain.

A brief history of the Parisian theatre is also included, for the benefit of readers who have not read the previous books.






See more
Current price €25.65
Original price €28.50
Save 10%
A01=Michael WilsonA01=Prof. Michael WilsonA01=Prof. Richard J. HandA01=Richard J. HandAge Group_UncategorizedAuthor_Michael WilsonAuthor_Prof. Michael WilsonAuthor_Prof. Richard J. HandAuthor_Richard J. Handautomatic-updateCategory1=Non-FictionCategory=ANCategory=ANCCategory=ANFCategory=ANHCategory=DSGCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€20 to €50PS=ActiveSN=Exeter Performance Studiessoftlaunch
Delivery/Collection within 10-20 working days
Product Details
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Mar 2016
  • Publisher: University of Exeter
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9780859899963

About Michael WilsonProf. Michael WilsonProf. Richard J. HandRichard J. Hand

Richard J. Hand is Professor of Media Practice and Head of Media Film and TV Studies at University of East Anglia. He is the co-editor of the Journal of Adaptation in Film and Performance a Senior Fellow of the Higher Education Academy and a Fellow of the Royal Society of Arts. Richard has written extensively on adaptation horror studies European theatre radio drama and popular culture. He has also worked as a writer director and performer for theatre and radio. His practice-based research activities include experimental live re-creations of The Train of Terror! (2005) The Terrifying Tale of Sweeney Todd! (2008) Noel Cowards The Better Half (2008) and Kandinskys The Yellow Sound (2011). Michael Wilson is Professor of Drama at Loughborough University. He was previously Professor of Drama and Dean of the School of Media and Performance at University College Falmouth and prior to that was Head of Research at the Cardiff School of Creative and Cultural Industries at the University of Glamorgan and Co-Director (with Hamish Fyfe) of the George Ewart Evans Centre for Storytelling. His main research interests lie in the field of popular and vernacular performance and he has published extensively on Storytelling Grand-Guignol and Brecht and his collaborators. In particular his work on storytelling has led him to work on the interface between storytelling and digital technology and the way in which the internet has enabled the telling and sharing of extraordinary stories of the everyday experiences of people.

We use cookies to ensure that we give you the best experience on our website. If you continue we'll assume that you are understand this. Learn more
Accept