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B01=Ann-Sophie Lehmann
B01=Rachel Esner
B01=Sandra Kisters
Category1=Non-Fiction
Category=ABA
Category=AGA
COP=Netherlands
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studio

Hiding Making - Showing Creation

English

The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist's studio-in all its various manifestations-the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The various essays also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present. See more
€58.99
Age Group_Uncategorizedautomatic-updateB01=Ann-Sophie LehmannB01=Rachel EsnerB01=Sandra KistersCategory1=Non-FictionCategory=ABACategory=AGACOP=NetherlandsDelivery_Delivery within 10-20 working dayseq_art-fashion-photographyeq_isMigrated=2eq_non-fictionLanguage_EnglishPA=Not available (reason unspecified)Price_€50 to €100PS=Activesoftlaunchstudio
Delivery/Collection within 10-20 working days
Product Details
  • Dimensions: 156 x 234mm
  • Publication Date: 08 Jul 2013
  • Publisher: Amsterdam University Press
  • Publication City/Country: NL
  • Language: English
  • ISBN13: 9789089645074

About

Rachel Esner is Assistant Professor of Modern and Contemporary Art at the University of Amsterdam, The Netherlands. She is the author of a number of articles on the artist’s studio and image of the artist in the nineteenth century, as well as co-editor of Vincent Everywhere. Van Gogh’s (Inter)National Identities (Amsterdam, Amsterdam University Press, 2010). Sandra Kisters is assistant professor in modern and contemporary art at the University of Utrecht. Ann-Sophie Lehmann is professor for art history & material culture at the University of Groningen. Her research has a process-based, transhistorical approach and shows how materials, tools, and practices partake in the meaning making of art.

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