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John Hilliard: Not Black and White

English

By (author): Duncan Wooldridge John Hilliard

Focusing on John Hilliards fascination with the monochrome and visual obstruction, this career-spanning volume draws together the artists diverse engagement with photography. Perhaps best known for iconic photo-conceptual works produced during the 1970s, this British artists work explores the limits of the photographic medium. Using new and pioneering processes, such as overlaying prints and incorporating projector screens, the artist aims to disrupt the viewers relationship to the photograph. Hilliards focus on the monochrome blanks out the picture to undermine the photographs usual expectations and draw the viewers attention to the context of its creation. Duncan Wooldridge provides a survey on Hilliards continuous challenge to photographic convention throughout his 40-year career, accompanied by texts by the artist and over 60 illustrations.

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Original price €32.50
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A01=Duncan WooldridgeA01=John HilliardA14=Duncan WooldridgeA14=John HilliardAge Group_UncategorizedAuthor_Duncan WooldridgeAuthor_John Hilliardautomatic-updateB01=Duncan WooldridgeCategory1=Non-FictionCategory=AGBCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€20 to €50PS=Activesoftlaunch
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Product Details
  • Dimensions: 245 x 270mm
  • Publication Date: 01 May 2014
  • Publisher: Ridinghouse
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781905464937

About Duncan WooldridgeJohn Hilliard

Duncan Wooldridge is an artist writer and curator. He is the Course Director for BA (Hons) Fine Art Photography at Camberwell College of Art. His curatorial work includes the two-site group survey exhibition 'Anti-Photography' at Focal Point Gallery and Beecroft Art Gallery Southend in 2011 and 'John Hilliard: Not Black and White' at Richard Saltoun Gallery London in 2014. Duncan writes regularly as a critic and essayist in magazines and books. He has written regularly for Art Monthly Artforum Over (PhotoIreland) FOAM Amsterdam and 1000 Words Photography Magazine. His research concerns the possibilities of critical in and around what Vilem Flusser has called The Universe of Technical Images: the widespread adoption of mechanically reproducible technologies such as photography video digital text 3D printing and printmaking in a culture of immaterial labour and supposedly dematerialized technologies. He is concerned with the everyday uses of readily available images especially the reproduction of the work of art which represents a kind of zero degree of the photographic.

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