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John Stezaker: Love

English

By (author): Craig Burnett Michael Bracewell

Stripped of their typical narrative and commercial contexts, the fragmented collages of this collection act as visually tantalizing ciphers, reflecting the desires and imaginings of the beholder.' Jennie Waldow, Brooklyn Rail

This beautifully illustrated catalogue showcases works by British artist John Stezaker made between 1976 and 2017 and brought together in the 2018 show Love at The Approach, London.

Stezaker is celebrated for his distinctive collage works: interruptions of, and interventions into, found images dating mostly from the mid-20th century products of modernist culture such as film stills, press and publicity photographs, magazines and postcards. His works engage with themes such as psychological archetypes, fragmentation, identity, self and other, desire, inscrutability and enigma, glamour, fantasy, dreams and the gaze.

A sense of romance pervades Stezakers imagery. As demonstrated most dramatically by the artists 'Love' series (2016), his work seduces and ensnares the viewers gaze, arresting their perceptual expectations. Disquieting, poetic, compelling, glamorous and strange, the anatomies of love and desire comprising 'Love' resemble a visual encyclopaedia of human consciousness. Featuring essays by Michael Bracewell and Craig Burnett.

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Product Details
  • Dimensions: 225 x 270mm
  • Publication Date: 01 Jan 2019
  • Publisher: Ridinghouse
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781909932470

About Craig BurnettMichael Bracewell

Michael Bracewell is a novelist and cultural historian who has written widely about art visual culture music and literature. His evocative memoir Souvenir portraying 1970s and 1980s London was published in 2021. He has contributed essays on the work of John Stezaker to several publications including Tabula Rasa (Ridinghouse 2010) and The Truth of Masks ( 2015). Craig Burnett is a London-based writer editor curator and poet. Currently a Senior Director at Frith Street Gallery he has curated and written widely about modern and contemporary art for Tate White Cube and 'Modern Painters'. His publications include Philip Guston: The Studio (2014) and Jeff Wall (2005).

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