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A01=Ron English
A32=Bravo Joseph
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Original Grin: The Art of Ron English

English

By (author): Ron English

Through his highly subversive art Ron English (b. 1959) has bombed the global landscape with striking and often unsettling imagery. He coined the term POPaganda to describe his signature and darkly satirical renderings of corporate branding icons. Ranging from superhero mythology to pillars of art history, his work is populated with a vast and constantly growing arsenal of original characters such as MC Supersized, the obese fast-food mascot featured in the hit movie Supersize Me; and Abraham Obama, which fused Americas 16th and 44th Presidents, an image that was posited by the media as having directly impacted the 2008 election. His cameo on The Simpsons secured his position as Americas premier pop iconoclast.

This book is the first complete retrospective of Englishs work, compiling his paintings, illustrations, toys, sculpture, street art, and agit-pop. Additionally, it contains a lengthy and comprehensive interview with the artist conducted exclusively for this publication.

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Current price €51.29
Original price €56.99
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A01=Ron EnglishA32=Bravo JosephAge Group_UncategorizedAuthor_Ron Englishautomatic-updateCategory1=Non-FictionCategory=ACCategory=AGBCategory=JFCACOP=FranceDelivery_Pre-orderLanguage_EnglishPA=ReprintingPrice_€50 to €100PS=Activesoftlaunch

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Product Details
  • Weight: 2290g
  • Dimensions: 227 x 300mm
  • Publication Date: 16 Jul 2019
  • Publisher: Cernunnos
  • Publication City/Country: France
  • Language: English
  • ISBN13: 9782374950938

About Ron English

Ron English is a prolific and skilled oil painter known as The Godfather of Street Art. He has bombarded the global landscape with unforgettable images on the street in museums movies books and television. He is considered by many to be one of the more skilled renderers of his generation. Joseph Bravo is an independent curator and arts writer. After initially working in the Classical and Egyptian antiquities Bravo now focuses his attention on issues in contemporary art particularly those relating to the dynamics of the creation of the art canon and the inclusion of marginalized aesthetic optics.

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