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A01=Sam Cornish
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A15=Jon Wood
A43=David Waterworth
A43=Sam Cornish
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Stockwell Depot: 196779

English

By (author): Sam Cornish

Founded in 1967, Stockwell Depot heralded the emergence of the London artists studio movement and gained international recognition as a centre for abstraction in Britain.

For over 25 years, this disused former brewery in south London functioned as a cooperative studio and exhibition space. Artists associated with the Depot Roland Brener, Jennifer Durrant, David Evison, Katherine Gili, Peter Hide and Roelof Louw, among many others held differing and often competing attitudes towards art. The ambitious work made and shown at the Depot tells the story of late modernism in Britain, tracing a period full of formal experimentation and critical debate.

Incorporating interviews with 10 artists alongside a major essay by Sam Cornish, this volume is the first to examine the artists activities within a historical context and to track their development through the Depots pivotal annual exhibitions.

Published to coincide with the exhibition Stockwell Depot, 196779 at University of Greenwich Galleries, London, 24 July12 September 2015.

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A01=Sam CornishA14=Sam CornishA15=Jon WoodA43=David WaterworthA43=Sam CornishAge Group_UncategorizedAuthor_Sam Cornishautomatic-updateCategory1=Non-FictionCategory=ACXJCategory=AGCCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€20 to €50PS=Activesoftlaunch
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Product Details
  • Dimensions: 244 x 269mm
  • Publication Date: 01 Jul 2015
  • Publisher: Ridinghouse
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781909932050

About Sam Cornish

Sam Cornish is a writer and curator. His publications include Bram Bogart (2011) John Panting: Sculpture (2012) Robert Motherwell: Works on Paper (2013) and 'Frank Bowling: Sculpture' (Ridinghouse 2022). He co-curated the Arts Council touring exhibition Kaleidoscope: Colour and Sequence in 1960s British Art (201718). Along with Wiz Patterson-Kelly he is editor of the catalogue raisonné of John Hoylands paintings on canvas. David Waterworth is a curator and Senior Lecturer in Media at the University of Greenwich in London where he is also Curator of the University Galleries. From 200307 he was a Lecturer in Visual Art at Goldsmiths University of London. Jon Wood is an art historian and curator specialising in modern and contemporary sculpture and a trustee of the Gabo Trust for Sculpture Conservation. He worked for 20 years at the Henry Moore Institute running its research programme and organising exhibitions.

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