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A32=Alan Howard
A32=Gregory Barnett
A32=Guido Olivieri
A32=Kerala Kerala Snyder
A32=Michael Klaper
A32=Michael Robertson
A32=Peter Holman
A32=Rosalind Halton
A32=Samantha Owens
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B01=Carrie Churnside
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Transitions in Mid-Baroque Music: Style, Genre and Performance

English

Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period. This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe. See more
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Original price €113.99
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A32=Alan HowardA32=Gregory BarnettA32=Guido OlivieriA32=Kerala Kerala SnyderA32=Michael KlaperA32=Michael RobertsonA32=Peter HolmanA32=Rosalind HaltonA32=Samantha OwensAge Group_Uncategorizedautomatic-updateB01=Carrie ChurnsideCategory1=Non-FictionCategory=AVCategory=AVGCCategory=AVGC3Category=HBTCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€100 and abovePS=Activesoftlaunch
Delivery/Collection within 10-20 working days
Product Details
  • Weight: 1g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 May 2024
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781837651580

About

CARRIE CHURNSIDE is Associate Professor in Music at Royal Birmingham Conservatoire. PETER HOLMAN is Emeritus Professor of Historical Musicology at Leeds University. When not occupied with writing and research he organises performances of seventeenth- and eighteenth-century music mostly directing them from the keyboard. He is director of The Parley of Instruments Leeds Baroque the Suffolk Villages Festival and the annual Baroque Summer School run by Cambridge Early Music. Kerala Snyder is professor emerita of musicology at the Eastman School of Music. CARRIE CHURNSIDE is Associate Professor in Music at Royal Birmingham Conservatoire.

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