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At Risk: Black Youth and the Creative Imperative in the Post-Civil Rights Era

English

By (author): Jennifer Griffiths

Jennifer Griffiths's At Risk: Black Youth and the Creative Imperative in the Post-Civil Rights Era focuses on literary representations of adolescent artists as they develop strategies to intervene against the stereotypes that threaten to limit their horizons. The authors of the analyzed works capture and convey the complex experience of the generation of young people growing up in the era after the civil rights movement. Through creative experiments, they carefully consider what it means to be narrowed within the scope of a sociological problem, all while trying to expand the perspective of creative liberation. In short, they explore what it means to be deemed an at risk youth.

This book looks at crucial works beginning in 1968, ranging from Sapphires Push and The Kid, Walter Dean Myerss Monster, and Dael Orlandersmiths The Gimmick, to Bill Gunns Johnnas. Each text offers unique representations of Black gifted children, whose creative processes help them to navigate simultaneous hypervisibility and invisibility as racialized subjects. The book addresses the ways that adolescents experience the perilous at risk label, which threatens to narrow adolescent existence at a developmental moment that requires an orientation toward possibility and a freedom to experiment.

Ultimately, At Risk considers the distinct possibilities and challenges of the postcivil rights era, and how the period allows for a more honest, multilayered, and forthright depiction of Black youth subjectivity against the adultification that forecloses potential. See more
Current price €27.89
Original price €30.99
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Product Details
  • Weight: 363g
  • Dimensions: 140 x 216mm
  • Publication Date: 28 Dec 2022
  • Publisher: University Press of Mississippi
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9781496841711

About Jennifer Griffiths

Jennifer Griffiths is professor of English at New York Institute of Technology. She is author of Traumatic Possessions: The Body and Memory in African American Women's Writing and Performance.

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