British Literature and Print Culture

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A32=Alan Downie
A32=Brian Maidment
A32=Gerard Carruthers
A32=Laura Runge
A32=Marysa Demoor
A32=Nathalie Colle-Bak
A32=Peter Garside
A32=Sandro Jung
Age Group_Uncategorized
Age Group_Uncategorized
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B01=Sandro Jung
Bibliographical matters
Category1=Non-Fiction
Category=DSB
Category=DSBD
Category=DSBF
Category=KNTP
Category=KNTP1
COP=United Kingdom
Critical and editorial fortunes
Cultural literacy
Delivery_Delivery within 10-20 working days
Engraved media
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
Literary texts
PA=Available
Price_€50 to €100
Print culture
Print culture genres
PS=Active
Publishing practices
Sandro Jung
Seventeenth to nineteenth century
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Product details

  • ISBN 9781843843436
  • Weight: 564g
  • Dimensions: 138 x 216mm
  • Publication Date: 17 Oct 2013
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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The complexity of print culture in Britain between the seventeenth and nineteenth century is investigated in these wide-ranging articles. The essays collected here offer examinations of bibliographical matters, publishing practices, the illustration of texts in a variety of engraved media, little studied print culture genres, the critical and editorial fortunes of individual works, and the significance of the complex interrelationships that authors entertained with booksellers, publishers, and designers. They investigate how all these relationships affected the production of print commodities and how all the agents involved in the making of books contributed to the cultural literacy of readers and the formation of a canon of literary texts. Specific topics include a bibliographical study of Aphra Behn's Oroonoko and its editions from its first publication to the present day; the illustrations of John Bunyan's Pilgrim's Progress and the ways in which the interpretive matrices of book illustration conditioned the afterlife and reception of Bunyan's work; the almanac and the subscription edition; publishing history, collecting, reading, and textual editing, especially of Robert Burns's poems and James Thomson's The Seasons; the "printing for the author" practice; the illustrated and material existence of Sir Walter Scott's Waverley novels, and the Victorian periodical, The Athenaeum. Sandro Jung is Research Professor of Early Modern British Literature and Director of the Centre for the Study of Text and Print Culture at Ghent University. Contributors: Gerard Carruthers, Nathalie Collé-Bak, Marysa Demoor, Alan Downie, Peter Garside, Sandro Jung, Brian Maidment, Laura L. Runge.