Child of the Fire is the first book-length examination of the career of the nineteenth-century artist Mary Edmonia Lewis, best known for her sculptures inspired by historical and biblical themes. Throughout this richly illustrated study, Kirsten Pai Buick investigates how Lewis and her work were perceived, and their meanings manipulated, by others and the sculptor herself. She argues against the racialist art discourse that has long cast Lewiss sculptures as reflections of her identity as an African American and Native American woman who lived most of her life abroad. Instead, by seeking to reveal Lewiss intentions through analyses of her career and artwork, Buick illuminates Lewiss fraught but active participation in the creation of a distinct American national art, one dominated by themes of indigeneity, sentimentality, gender, and race. In so doing, she shows that the sculptor variously complicated and facilitated the dominant ideologies of the vanishing American (the notion that Native Americans were a dying race), sentimentality, and true womanhood.
Buick considers the institutions and people that supported Lewiss careerincluding Oberlin College, abolitionists in Boston, and American expatriates in Italyand she explores how their agendas affected the way they perceived and described the artist. Analyzing four of Lewiss most popular sculptures, each created between 1866 and 1876, Buick discusses interpretations of Hiawatha in terms of the cultural impact of Henry Wadsworth Longfellows epic poem The Song of Hiawatha; Forever Free and Hagar in the Wilderness in light of art historians assumptions that artworks created by African American artists necessarily reflect African American themes; and The Death of Cleopatra in relation to broader problems of reading art as a reflection of identity.
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