Diana's Tree

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A01=Alejandra Pizarnik
Age Group_Uncategorized
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Author_Alejandra Pizarnik
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B06=Anna Deeny Morales
Category1=Non-Fiction
Category=DCF
COP=United Kingdom
Delivery_Delivery within 10-20 working days
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eq_biography-true-stories
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Language_English
Language_Spanish
Latin-American poetry
PA=In stock
poetry
Price_€10 to €20
PS=Active
softlaunch
suicide

Product details

  • ISBN 9781848617001
  • Weight: 134g
  • Dimensions: 140 x 216mm
  • Publication Date: 27 Mar 2020
  • Publisher: Shearsman Books
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English, Spanish
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Diana's Tree is an important book - written in Paris, where she lived for four years - and the first really mature work (1963) by Alejandra Pizarnik (1936-1972), increasingly recognised as one of the major poetic voices of the second half of the 20th century in Latin America. "Reading Anna Deeny Morales's incisive translation of Alejandra Pizarnik is like experiencing Walter de Maria's Lightning Field - not in the New Mexico desert, but inside you. Psychologically strained and emotionally saturated, Pizarnik's poetry has electrified readers for more than sixty years. As gnomic, dreamy, passionate, and dark as the originals, Deeny's translations leave you singed- and glowing. " - Forrest Gander
Alejandra Pizarnik (1936-1972) was born in Buenos Aires to Russian Jewish immigrant parents. She studied at the University of Buenos Aires before dropping out to concentrate on painting and her own poetry. She moved to Paris in 1960, where she got to know Octavio Paz, Julio Cortazar, and Silvina Ocampo. Now regarded as one of Argentina's most powerful and intense lyric poets of the mid-20th century, Pizarnik's sometimes bleak themes - cruelty and death run prominently in her work - reflect her own personal torments, some deriving from her amphetamine dependency. Pizarnik published a number of poetry collections in her lifetime, as well as essays. Her work has been extensively translated in recent years, reflecting the recovery of her work by non-Hispanic readers and her growing international reputatio.

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